ERUDITE: Journal of Chinese Studies and Education
The ERUDITE: Journal of Chinese Studies and Education [eISSN 2716-5493] is a peer reviewed Journal. The journal is dedicated to publishing research on new and creative ideas, and disseminating research findings that make original and significant contributions to Chinese Studies and Education field. The journal is published twice a year (April & October Start 2024) and comes out as an electronic form. 《依大中文與教育學刊》為蘇丹依德理斯教育大學發行的同行匿名評審學術期刊，專門刊載馬來西亞及亞洲地區有關中文及教育研究的學術論文。本學刊每年以電子期刊的形式出版兩期，提供免費閱讀及下載。凡具有原創性、未曾刊載於其他刊物的論文及書評，均歡迎投稿。 ERUDITE supports Open Access. The electronic full text version of the journal is available Free of Charge (FOC).
挑战者庄华兴及其研究读〈实践跨界主体：试论庄华兴的马华文学论述与翻译〉书后
庄华兴敎授在华人研究，尤其是文学史与文化史方面，皆扮演开创性的角色。先生勤学，道途未必坦平，却有几个关键时刻值得留意，然学界未曾深论之。读苏颖欣，吴小保合着〈实践跨界主体：试论庄华兴的马华文学论述与翻译〉一文后，有感庄华兴的学术研究、翻译以及社会评论，不但致力于跨语际文化研究，重厘「马华-华马」的新议题，对社会族群、教育与知识文化方面，亦有精深独到之处。本文旨在绘出庄华兴的学术、翻译与评论实践图像，以显马华知识人的忧患与践行。 Professor Chong Fah Hing has been a pioneering figure in Chinese diaspora studies, particularly in literary and cultural history. Despite the challenges along his academic trajectory, several pivotal moments in his career merit deeper scholarly attention. Building on insights from Show Yin Xing and Goh Siew Poh’s study, “Practicing Cross-Boundary Subjectivity: A Preliminary Discussion of Chuang Hua-hsing’s Mahua Literary Discourse and Translation,” this article argues that Chong’s scholarly research, translation practice, and social commentary collectively advance cross-linguistic and cross-cultural inquiry, while reshaping the discourse on “Mahua–Huama” relations. His interventions further reflect critical and original perspectives on social ethnicity, education, and intellectual culture. This paper seeks to delineate the contours of Chong Fah Hing’s academic, translational, and critical practices, thereby illuminating the anxieties, responsibilities, and praxis of a contemporary Mahua intellectual.
Copyright (c) 2025 Th’ng Bee Fu (方美富) http://creativecommons.org/licenses/by-nc-sa/4.0
新加坡报刊小说的政治工具性转向以《中兴日报》与《南洋总汇新报》的论战为中心
摘要： 本文以1907-1911年新加坡《中兴日报》与《南洋总汇新报》的论战为切入点，探讨论战如何影响此时期报刊小说的创作，使其沦为政治斗争的直接武器。在革命党与保皇党的激烈论战中，两报刊登的小说呈现出鲜明的“政治工具性”特征：《中兴日报》通过《想入非非》《保皇党真哭》等作品对保皇党展开攻势，对其“乞开国会”“妄图立宪”进行嘲讽，以寓言体等形式嘲讽立宪运动；《南洋总汇新报》则以《大话报》《纪侦探申与堡事》等小说揭露革命党“敛财革命”的“真相”，对革命党人进行人格诋毁与腐败指控，予以激烈回击。这种将小说社会功用性推向极致的现象，是“小说界革命”在南洋的特殊回响，当中国大陆的小说已经从“开口见喉舌”转向通俗化时，新加坡因特殊的政治生态形成“滞后性繁荣”，成为政治小说最后的实验场。尽管此类小说艺术性薄弱，但其强烈的现实介入精神，为马华文学的现实主义传统埋下伏笔。 Abstract This article takes the polemics between Chong Shing Yit Pao and Nanyang Zonghui Xinbao in Singapore (1907–1911) as its point of departure, examining how these debates shaped the creation of newspaper fiction in the Singapore during this period and turned it into a direct weapon of political struggle. Amid the fierce confrontation between revolutionaries and monarchists, the serialized novels published in the two newspapers displayed a pronounced “political instrumentalism.” Chong Shing Yit Pao launched attacks on the monarchists through works such as “Xiang ru feifei” and “Baohuangdang zhen ku”, ridiculing their advocacy for “petitioning for a parliament” and their constitutionalist aspirations, often through allegorical forms. In response, Nanyang Zonghui Xinbao countered sharply with novels such as Dahua bao and Ji zhentan Shen yu Bao shi , which sought to expose the “truth” of the revolutionaries’ “fundraising revolution” while engaging in personal defamation and accusations of corruption. This extreme instrumentalization of fiction represented a distinctive echo of the “Revolution in the World of Fiction” in the Singapore. While fiction in mainland China was shifting from explicit political advocacy to popularization, the unique political ecology of the Singapore fostered a form of “belated prosperity,” making it the last experimental ground for political fiction. Despite their limited artistic value, such works embodied an intense spirit of social engagement, laying the groundwork for the realist tradition in Malayan Chinese literature.
Copyright (c) 2025 高一宜, 徐威雄 http://creativecommons.org/licenses/by-nc-sa/4.0
马来西亚国民中学现行华文课本是《华文》（KSSM），依据《中学华文课程与评价标准》（KSSM，Kurikulum Standard Sekolah Menengah）编纂而成。与2000年出版的《华文》（KBSM）相比，新版课本对中国古代文学选文有所调整，其中古诗词的变化最为显著。为此，本文以《华文》（KSSM）六册课本[1]为研究对象， [1] 与其他年级课本不同，《预备班华文》（KSKP）对应的课程标准为《预备班标准课程——华文课程与评价标准》（Kurikulum Standard Kelas Peralihan，简称 KSKP），严格来说并不属于《中学华文课程与评价标准》（KSSM）的范畴。但考虑到预备班是从小学到中学一年级的过渡阶段，且对学生学习古诗词的要求大致与《中学华文课程与评价标准》（KSSM）相同，其选文直接影响后续中一至中五的学习衔接，将其纳入样本可填补学段衔接处的研究空白、保障研究范围的完整性，故本文仍将其纳入考察范围。 从选文分类、数量、朝代、作者、题材、体裁六个维度，系统梳理并分析课本中的古诗词选文情况。同时，结合课本整体结构、单元设计及单篇古诗词编排逻辑，全面总结其古诗词选文的编写特点。此外，结合《中学华文课程与评价标准（KSSM）》（此后简称“课标”）对文学教育、文化素养的要求，探析选编背后的教育取向与文化传承逻辑，以期为马来西亚华文课本的编写优化和古诗词教学实践提供参考。 The current Chinese textbook in Malaysian national secondary schools is Chinese Language (KSSM), which is compiled based on the Secondary School Chinese Curriculum and Evaluation Standards (KSSM, Kurikulum Standard Sekolah Menengah). Compared with the Chinese Language (KBSM) published in 2000, the new edition introduces significant changes in the selection of ancient Chinese literary texts, among which the changes in ancient poetry are the most significant. For this reason, this paper takes the six volumes of the Chinese Language(KSSM) textbooks as the research object, and systematically sorts out and analyzes the selection of ancient poetry in the textbooks from six dimensions: classification of selected texts, quantity, dynasty, author, subject matter, and genre. At the same time, in combination with the overall structure of the textbook, the unit design and the arrangement logic of individual ancient poems, comprehensively summarize the writing characteristics of the selected ancient poems, and then explore the educational orientation and cultural inheritance logic behind the selection and compilation. In addition, this article combines the requirements for literary education and cultural literacy in the Secondary School Chinese Curriculum and Evaluation Standards (KSSM), with the aim of providing targeted references for the optimization of Chinese textbooks and the teaching practice of ancient poetry in Malaysia.
Copyright (c) 2025 丁国兴荣 Ding Guoxingrong, Lim Chsing Chsing 博士 http://creativecommons.org/licenses/by-nc-sa/4.0
摘要 此篇文章主要研究邱菽园的作品《菽园诗集》的咏物诗歌。邱菽园以五种表现手法创作，分别为描摹情态类、托物言志类、托物言理类、以物喻人类和咏物抒怀类，涵盖了动物、植物和器物等多种主题。通过不同阶段的咏物诗让我们能够了解他的生活轨迹和人生经历，还能体会当代人对东南亚风物的感知。这些诗歌不仅展现了邱菽园高超的诗歌创作技巧和丰富的情感世界，更通过多样的表现手法如：比喻、拟人、象征、对比和引用，使咏物对象生动鲜活，提供了丰富的联想空间。 Abstract This article mainly focuses on the poetries chanting things in The Collection of Shuyuan’s Poems by taking plants and animals as title. There are five types in poetry of chanting things which are descriptive or mood-portraying type, conveying aspirations through objects, conveying principles or reasoning through objects, comparing people to objects (using objects as metaphors for people) and expressing emotions or sentiments through objects. This article also investigates the expression techniques portrayed in these poems. These poems help us to understand the life experiences of Khoo Seok Wan and let the descendants understand Southeast Asia better. These poems also signify the growth of Malaysian Chinese Literature.
Copyright (c) 2025 Khor Gek Suan, Xiao Qingwei http://creativecommons.org/licenses/by-nc-sa/4.0
摘要 梦本身没有政治性，但梦主常常以某种政治角色出现于政治舞台，进而使梦常常打上政治的印记，在历史变革中发挥着政治语言的作用。本论文以中国古代文献记载的政治梦为研究对象，借助文献研究法、比较法和个案研究法，考察梦与政治的关系以及梦中所蕴含的政治语言，说明在封建迷信思想与神学观念下，中国古代政治如何借助梦在政治运作中发挥特有的精神魔力。提出梦是帝王受命的政治符号语言，大臣劝说帝王的巧妙谏言，表达政治愿望的特殊隐言，决定战争决策的神秘预言。通过系统的梳理，最终得出结论，基于人们对梦的世俗迷信，在中国古代梦被政治家利用，作为实现政治野心或达到某种政治目的的一种手段。本研究运用了大量的政治梦实例，资料扎实，结构清晰，观点明确，对中国梦文学及政治语言学的发展都有重要的启发和参考价值。 Abstract The dream itself is not political, but the dreamer often appears on the political stage in a certain political role, so that the dream is often stamped with political marks and plays the role of political language in historical changes.This paper takes the political dreams recorded in ancient Chinese literature as the research object, and investigates the relationship between dreams and politics as well as the political language contained in dreams by means of literature research, comparison and case study, so as to explain how ancient Chinese politics exerted its unique spiritual magic in political operation with the help of dreams under feudal superstitious thoughts and theological concepts. It is proposed that dreams are a political symbol language in which the status and rights of the emperor are given by God. the exhortation words of ministers to persuade the emperor, the psychological language of expressing political wishes, and the mysterious prophecy that determines the decision of war. Through systematic combing, we finally came to the conclusion that based on people’s common superstition on dreams, in ancient China, dreams were used by politicians as a means to realize political ambitions or achieve certain political goals.This study uses a large number of political dream examples, with solid data, clear structure, and clear viewpoints. It has important inspiration and reference value for the development of Chinese dream literature and political linguistics.
Copyright (c) 2025 Chen Xue, Chin Mooi San http://creativecommons.org/licenses/by-nc-sa/4.0
摘要 疾病是人类社会常见的生存经验之一，也是艺术领域，包括文学、绘画、音乐等经常涉及的主题。文学中的疾病主题主要有两方面，一是对现实生活中客观疾病的描绘与书写，二是具有象征、隐喻等社会文化方面的多重意义，也就是一种文学的审美手段和叙事策略。《红楼梦》中对疾病的描写丰富多彩，疾病话语和疾病叙写精彩绝伦令人叹服，通过对文本的细读，我们可以发现作者写作动机和对疾病书写的表现方式都具特点，且与全文的主旨发展密切相关。本文对《红楼梦》中典型的疾病案例的文学功能进行归类，尝试发掘其中的文学意涵，结合疾病隐喻的创作观念，最后得出结论，曹雪芹的“疾病书写”不仅反映出各个人物的人物性格，形成了贾府走向的衰落的背景氛围，增加整体行文有伏笔铺垫式的艺术美，还带有强烈的文化隐喻的象征意味。 Abstract Disease is the common experience of human beings and is often involved in the field of art, including literature, painting, music, etc. As a theme in literature, it mainly has two aspects, one the descriptions of physical disease in real life, the other the symbols and metaphors of multiple social and cultural significance, also known as an aesthetic means and narrative strategy in literature. The descriptions of disease in The story of the Stone is abundant and diversified, and the discourse and descriptions of disease are compelling. This paper discusses the typical cases of disease in this masterpiece, and studies their literary function in combination with the critical concept of disease poetics.
Copyright (c) 2025 Yu Shan Xie, Hooi See Teoh http://creativecommons.org/licenses/by-nc-sa/4.0
《三国志》和《三国演义》诸葛亮北伐与出祁山之比较研究
摘要 蜀汉是三国时期国力最弱小、也是最早灭亡的国家，但它却涌现出了很多英杰贤才，他们忠肝义胆、舍生取义的优秀品质广为后世推崇。蜀汉仅据一州之地，地狭民稀，但却常怀进取之心，矢志北伐一统天下，这便是蜀汉独特的魅力所在。在蜀汉与魏吴两国抗衡的四十余年中，诸葛亮北伐是最为重要、也是最受后世关注的历史事件，而关于诸葛亮北伐的次数和路线，正史和小说有不同的说法。笔者在本篇论文中会使用内容分析法统计《三国志》和《三国演义》中诸葛亮北伐的战果，从而论述《三国志》和《三国演义》中诸葛亮北伐与出祁山的异同，并分析造成此差异背后的原因，希望在前人的研究基础上补正纠偏，以供后人参考。 Abstract Shu Han was the weakest and the earliest state to perish during The Three Kingdoms period, but it had emerged a lot of heroes and sages, whose excellent qualities of loyalty and courage and sacrifice for justice were widely praised by later generations. Shu Han was only a state with a narrow land and few people, but it was always enterprising and determined to conquer the world through northern expedition. This was the unique charm of Shu Han. In the more than 40 years when Shu Han fought against Wei and Wu, Zhuge Liang's northern expedition is the most important historical event that attracts the most attention from later generations. As for the number and route of Zhuge Liang's northern expedition, there are different opinions between official history and novels. In this paper, the author will use the content analysis method to calculate the results of Zhuge Liang's northern expedition in the Annals of The Three Kingdoms and the Romance of The Three Kingdoms. So as to discuss the similarities and differences between Zhuge Liang's northern expedition and Qishan Mountain in the Annals of The Three Kingdoms and Romance of The Three Kingdoms, and analyzes the reasons behind the differences, hoping to correct the errors on the basis of previous studies for future generations
Copyright (c) 2025 Ren Jie http://creativecommons.org/licenses/by-nc-sa/4.0
这项研究深入探讨了沙巴山打根海南会馆文化传承的实践和挑战。通过运用案例研究方法，特别关注了该会馆在传承海南文化方面的历史演变和当前的努力。研究明确了研究的范围和目标，以调查山打根海南会馆对海南文化传承的具体做法。数据收集包括半结构化访谈，参与观察和文件分析等主要和次要来源。研究揭示了海南人在山打根的文化传承历程，强调了先贤们在困境中的坚毅和奋斗精神。通过研究结果，提出了一系列建议，包括深化跨代交流、数字化文化资源保存、拓展社区参与、建立合作伙伴关系、开展教育计划、利用社交媒体传递信息、制定长期规划以及加强对外交流等些建议旨在推动海南文化在沙巴的传承，确保其在未来能够持续繁荣。 This study offers a systematic and in-depth investigation into the practices and challenges of cultural transmission within the Hainan Association of Sandakan, Sabah. Adopting a case study methodology, the research foregrounds both the historical trajectory and the contemporary initiatives undertaken by the association in the preservation and transmission of Hainanese culture. The scope and objectives of the study are clearly delineated, with a focus on examining the specific mechanisms through which the Sandakan Hainan Association sustains cultural continuity. Data are derived from both primary and secondary sources, including semi-structured interviews, participant observation, and documentary analysis, thereby ensuring methodological triangulation. The findings elucidate the processes of cultural transmission among the Hainanese community in Sandakan, while underscoring the resilience and perseverance of earlier generations in negotiating conditions of hardship and displacement. Drawing on these findings, the study advances several recommendations, including the enhancement of intergenerational engagement, the digitization of cultural resources, the expansion of community participation, the cultivation of institutional partnerships, the development of educational programmes, the strategic use of social media for cultural dissemination, the formulation of long-term planning frameworks and the strengthening of external exchanges. These measures are intended to facilitate the sustainable transmission and continued vitality of Hainanese culture in Sabah. Keywords: Sabah, Sandakan, Hainan Association, Hainanese cultural transmission
Copyright (c) 2025 Fu Sai Hoe http://creativecommons.org/licenses/by-nc-sa/4.0
清初戏曲家李渔“结构论”为中国戏曲发展史的重要理论，本文从他具有文章结构概念的话本小说《十二楼》谈起，探讨李渔在《闲情偶寄》提出“结构第一”理论前，如何以“楼”的结构之技贯穿结构之道，架起故事人物活动空间与主题寓意。下文以《十二楼》的文本阅读分析为研究方法，辅以李渔《闲情偶寄》的词曲结构理论及他擅长的园林艺术融入讨论，探究小说叙事的显层技巧性结构及其深层的哲理性结构。李渔谓营建房子与读书作文当以标新创异为尚，由此可见他为才子佳人的陈旧题材注入新颖的叙事策略。“楼”作为叙事作品的核心结构新奇有趣，在当下读者“喜读闲书，畏听庄论”的氛围下，可先把读者吸引进故事，再达致规正风俗的劝谏作用。学者讨论李渔作品结构论多从《闲情偶寄》出发，本文从其《十二楼》谈起，窥探李渔作文立言的态度。 Li Yu, a playwright in the early Qing Dynasty, proposed the significant “structural theory” for the development of Chinese drama. This paper begins by discussing the concept of structural organization in his vernacular novel Twelve Towers, exploring how Li Yu, prior to putting forth the “structure comes first” theory, used the construction of “towers” as a narrative framework in the novel, to establish the spatial and thematic significance for the characters and activities within the story. Applying literature analysis of Twelve Towers as the research method, and supplementing it with Li Yu’s structural theory from Random Thoughts and Essays and his expertise in incorporating garden art, the paper delves into the conceptualization and construction process of the “tower” in Li Yu's novels. Li Yu emphasized the novelty of building a narrative like constructing a house, diverging from conventional themes of talent and honour. His narrative strategy not only captivates readers by leveraging the allure of idle literature but also subtly critiques societal norms, aligning with the prevailing taste for light-hearted reading over solemn arguments. While scholarly discussions often centre on Li Yu's later work Random Thoughts and Essays, this paper uniquely starts with Twelve Floors to illuminate Li Yu's evolving compositional philosophy and narrative techniques. Keywords: Li Yu, Twelve Tower, Random Thoughts and Essays, structural analysis
Copyright (c) 2024 Ooi Sing Ee http://creativecommons.org/licenses/by-nc-sa/4.0
中美新闻报道中关于新冠疫情事件的比较研究
新冠肺炎疫情自2020年初爆发后，社会上产生了许多虚假的不良信息，公众内心本就焦虑、烦躁的情绪被放大。在这种情况下，发源于欧美新闻业界的建设性新闻成为当下一些媒介或学者的关注焦点，它旨在以启迪人心的新闻报道来唤醒社会公众的行动意愿，进而促进社会的稳定与发展，但是建设性新闻的具体实践在不同的社会环境下会呈现出不同的特征。本文通过《人民日报》与《纽约时报》的建设性报道框架特征的比较分析，目的是探讨不同性质媒体在报道中的框架和叙事方式，而非简单地评判优劣，从而来看《人民日报》报道中的优势以及不足，提出自己的看法和一些改善措施，为中国新闻本土化实践的现实取向提供些许的思考和借鉴。 Since the outbreak of the COVID-19 in early 2020, there have been many false negative information in the society, and the public's anxiety and irritability have been amplified. In this situation, constructive news originating from the European and American news industry has become the focus of attention for some media or scholars. It aims to awaken the public's willingness to take action through inspiring news reports, thereby promoting social stability and development. However, the specific practice of constructive news will present different characteristics in different social environments. This article compares and analyzes the constructive reporting framework characteristics of People's Daily and New York Times, with the aim of exploring the frameworks and narrative methods of different types of media in reporting, rather than simply evaluating the advantages and disadvantages, in order to see the advantages and disadvantages of People's Daily's reporting, propose my own opinions and some improvement measures, and provide some thinking and reference for the practical orientation of China's news localization practice. Keywords: COVID-19; Constructive news; People's Daily; The New York Times
Copyright (c) 2024 He Xiaoxia http://creativecommons.org/licenses/by-nc-sa/4.0
凌濛初所著之《初刻拍案惊奇》与《二刻拍案惊奇》（以下统称为二拍），其中涉商类篇目所占之篇幅多达31篇，即占总篇数三分之一。涉商类篇目，乃指经由前人的研究成果概括《二拍》中但凡涉及商业活动，刻画商人行为和展现商人思想，以及呈现商业文化现象的相关篇章，皆称为“涉商篇”。《二拍》涉商篇内刻画诸多行善与作恶的故事，随着情节的发展揭示“命”可分作天意操纵及人为使然。文中角色的“命”大多受到个体自身的品德操行影响导致后续的结果，有者其身不正自招灾劫，仁者则诸事顺遂、安享福禄。“仁”、“命”的相连关系并非脱离现实的言论。仁、命之道德关系，仁对命所产生的影响，士商文化对仁、命道德观念的影响，以及士商阶层对仁、命的斟酌与取舍乃本论文的研究重点。本论文以《二拍》涉商篇的士商文化与仁、命之社会道德观念进行探讨，从而剖析士商阶层在面临公德与私利，甚至对眼前或未来的盘算之间，对于仁、命所作出的权衡与抉择。此外，小说中呈现的“命”，可划分为天意支配及人为所致的“命”，透过情节的描绘探析不可违抗的“命”，在受到人为影响后的转变亦是本论文主要论析的部分. Author Ling Mengchu wrote the Slapping Table in Amazement-First Series and Slapping Table in Amazement-Second Series (The following collectively referred to as Er Pai). The “business-related chapters” have as many as 31 business-related chapters. This kind of theme accounted for 1/3 of the total number of articles of the novel. The business-related articles refer to the “business-related chapters” in which the relevant chapters in Er Pai are summarized based on previous research results, which involve commercial activities, describe merchants’ behavior, and reflect merchants’ thoughts, and show commercial cultural phenomena. The business-related chapters of Er Pai depicts a lot of good and evil stories, with the development of the plot reveals that destiny can be divided into the manipulation of God and man-made. The destiny of the characters in the text is mostly affected by the individual’s own moral conduct, which leads to the subsequent results. Some of them are not in the right shape to save themselves from disaster, benevolent people are in the right shape to enjoy happiness and prosperity. The connection between benevolence and destiny is not divorced from reality. The moral relationship between benevolence and destiny, the influence of benevolence on destiny, the influence of scholars-merchants culture on the moral concepts of benevolence and destiny, and the consideration and choice of scholars-merchants class on benevolence and destiny are the focus of this chapter. This chapter discusses the scholars-merchants culture and the social moral concepts of benevolence and destiny in the business-related chapters of Er Pai, to analyze the balance and choice made by the scholars-merchants class on benevolence and destiny in the face of public morality and private interests, and even the calculation of the present or future. In addition, the destiny presented in the novel can be divided into the domination of God and the destiny caused by human. Through the description of the plot, the inviolable destiny is analyzed, and the transformation after being influenced by human is also the main part of this chapter. Keywords: Er Pai, Chinese Late Ming Novels, Business-Related Chapters, Concepts of Benevolence and Destiny, Scholars-Merchants Culture, Social Morality
Copyright (c) 2024 Low Wei Yee, Ngoi Guat Peng http://creativecommons.org/licenses/by-nc-sa/4.0
国际图画书大奖作品在中国的引介 ——以凯迪克奖和凯特·格林纳威奖为例
儿童图画书在欧美国家已发展了百余年，但真正在中国流行不过二十多年的时间，而且是随着外国图画书在中国的引进，才流传开来。荣获国际图画书大奖的图书，因其可靠的品质一直是中国出版商首选的引入对象。本文以美国凯迪克奖和英国凯特·格林纳威奖获奖作品为例，通过对其引进情况进行分析和对代表作品的文本分析，探讨国际图画书奖获奖作品对中国图画书创作的启发作用。研究表明，获奖图画书的引进对于中国原创图画书的质量提升、推动中国图画书市场国际化与文化交流、促进中国本土图画书奖项的成立方面都有促进作用。 Children's picture books have been developed in Europe and American countries for over a century, but they have only gained popularity in China for a little more than two decades. This popularity has been largely driven by the introduction of foreign picture books to China. Books that have won international picture book awards have consistently been the preferred choice for Chinese publishers due to their reliable quality. This paper takes award-winning works from the American Caldecott Medal and the British Kate Greenaway Medal as examples to explore the inspirational role of the award-winning works of the International Picture Book Awards for the creation of Chinese picture books through the analysis of their introduction and the textual analysis of the representative works. The study shows that the introduction of award-winning picture books has contributed to the quality improvement of Chinese original picture books, the promotion of the internationalization of Chinese picture book market and cultural exchanges, as well as the promotion of the establishment of Chinese local picture book awards. Keywords: Picture book; Picture book Award; Introduction of picture books; Children's reading
Copyright (c) 2024 Bian Liping http://creativecommons.org/licenses/by-nc-sa/4.0
从《大闹天宫》到《哪吒之魔童降世》 看中国传统文化的影像传播
电影属于艺术性国际语言，其是很多文化符号的载体，可以在民族文化传播过程中发挥重要作用。长期以来，很多中国电影并未有机结合艺术性、商业性以及东方韵味等因素。基于此，本文将从中国动画电影入手，首先分析中国传统文化在中国动画电影中的应用历程，以及当下中国传统文化元素在中国动画电影中应用传播存在的挑战和问题，之后从《大闹天宫》和《哪吒之魔童降世》两部动画电影中分析中国传统文化元素的应用，最后提出推动中国传统文化影响传播的策略，希望利用电影介质和动画形式，进一步提升中国传统文化影响传播的关注度和影响范围。 Movies belong to the artistic international language, which is the carrier of many cultural symbols and can play an important role in the dissemination of national culture. For a long time, many Chinese films have not organically combined artistic, commercial, and Eastern charm factors. Based on this, this article will start with Chinese animated films. Firstly, it will analyze the application process of excellent traditional culture in Chinese animated films and the challenges and problems in the application and dissemination of excellent traditional cultural elements in Chinese animated films. Secondly, it will analyze the application of excellent traditional cultural elements in the two animated films "Da Nao Tian Gong" and "Nezha's Demon Child Comes to Earth". Finally, it will propose strategies to promote the influence and dissemination of Chinese excellent traditional culture, I hope to further enhance the attention and scope of the dissemination of excellent traditional Chinese culture through the use of film media and animation forms. Keywords: image dissemination; Excellent traditional Chinese culture; Animated Movies
Copyright (c) 2024 Chen Zhen http://creativecommons.org/licenses/by-nc-sa/4.0
此人端为救时来—— 论沈家本纪行诗中的忧患意识与家国情怀
沈家本（1840-1913）是近代中国法律文化的奠基人和诗人。他一生创作了六百多首诗，其中二百多首反映了他在游历迁徙过程中的心路历程。沈家本的诗作不仅具有文学艺术的魅力，更具有思想性，深刻反映了那个时代的历史背景和社会风貌。他以诗歌为媒介，表达了对国家未来的期许和呼吁，激发了民众对社会进步和民生改善的渴望。本文旨在通过评述沈家本各时期的纪行诗，通过诗作中青年时期的“忧国情”、中年时期的“报国志”、老年时期的“思国运”三个维度，展现这位立志修律救国的清末士大夫身上浓厚的忧患意识和家国情怀。 Shen Jiaben, a prominent figure in modern Chinese legal culture and a great poet, dedicated his life to the creation of over six hundred poems, with more than two hundred reflecting his emotional journey during his travels and migrations. Shen Jiaben's poetic works possess not only literary charm but also scholarly significance, providing profound insights into the historical backdrop and social landscape of his time. Through the medium of poetry, he expressed his aspirations for the future of the nation and called upon the people, inspiring a desire for social progress and improved livelihoods. This article aims to explore Shen Jiaben's historical journey through his travelogue poems, highlighting the dimensions of his youthful concerns for the country, his middle-aged devotion to the nation, and his contemplation of the nation's fate in his later years. These poems vividly depict the unwavering commitment, selfless dedication, and resolute determination of this scholar-official of the late Qing dynasty, who held a strong sense of concern and patriotism. Keywords：Shen jiaben, travelogue poem, ideological awareness
Copyright (c) 2024 Lu Na, Khor Teik Huat http://creativecommons.org/licenses/by-nc-sa/4.0
“杀戮之病”——张贵兴《野猪渡河》的祛魅与复魅
张贵兴近作《野猪渡河》既蕴含一种从个体到国族乃至种属的祛魅叙事，又包含以怪兽、面具、鸦片三大象征物建构的复魅叙事。而小说于历史叙事之中敷演蔚为大观的杀戮书写，其“杀戮之病”溢出了所述的历史时段，渗透到当下时代。本文以马克斯·韦伯（Max Weber）因论述现代性而产生的“祛魅”概念，以及由此敷演出的“复魅”概念为标杆，讨论《野猪渡河》中的“祛魅”与“复魅”现象。同时也包括在前述两者的平衡下，讨论小说家是如何通过历史叙事中的杀戮书写直陈虚无的时代精神。 Zhang Guixing's recent work “Wild Boars Cross the River” contains not only a disenchantment narrative from individuals to nationalities and even species, but also a re-enchantment narrative constructed from three major symbols: monsters, masks, and opium. The novel performs a spectacular killing writing in the historical narrative, and its “disease of killing” overflows the historical period and penetrates into the current era. This article uses Max Weber's concept of “disenchantment” arising from his discussion of modernity and the resulting concept of “re-enchantment” as a benchmark to discuss the phenomena of “disenchantment” and “re-enchantment” in “The Wild Boars Cross the River”. And discuss how, with the balance between the two mentioned above, the novelist directly expresses the nihilistic spirit of the times through the writing of killings in historical narratives. Keywords: “Wild Boars Cross the River”, disenchantment, re-enchantment, historical narrative, killing writing
Copyright (c) 2024 Fang Shao Qian http://creativecommons.org/licenses/by-nc-sa/4.0
傅彩云的“放诞美人”色彩与曾朴的“二心争斗” ——基于巴赫金复调理论视域的研究
“放诞美人”傅彩云是曾朴在《孽海花》中塑造的最为复杂的一个艺术典型，学界对其评价褒贬不一，争议产生的原因是《孽海花》具有明显的复调性。曾朴并未以作者的绝对权威居高临下地讲述傅彩云的故事。傅彩云在小说中拥有主体性的地位，她可以发出自己的声音并与作者曾朴的声音形成主体性的“双声”对话关系。这使得《孽海花》中的傅彩云成为一个具有复调色彩的“放诞美人”。“放诞美人”的复调性是曾朴与其所处的历史文化语境“二心争斗”的结果。“新”与“旧”的身份杂糅、“中”与“西”的文化对话，这些内源性的冲突影响了曾朴对傅彩云的重写，使得他笔下的傅彩云形象呈现出众声喧哗的复调性。文本中充斥着的曾朴“自我”与“他者”傅彩云的对话，从本质上来看是曾朴的意识与无意识的双声复调，是他内在主体世界中两个侧面的“二心争斗”。 Fu Caiyun, the “Reckless Beauty”, is the most complex artistic character created by Zeng Pu in Sinful Sea Flowers, which has received mixed reviews from academics. The reason for the controversy is the obvious polyphony of Sinful Sea Flowers. Zeng Pu does not narrate Fu Caiyun's story with the absolute authority of the author, Fu Caiyun has a subjective position in the novel, and she expresses her own voice and forms a double-subject dialogue with the author Zeng Pu's voice. Thus Fu Caiyun becomes a “Reckless beauty” with polyphonic characteristics in Sinful Sea Flowers. The polyphony of “Reckless Beauty” is the result of Zeng Pu's “two minds struggle” with the historical and cultural context in which he lives. The blending of “new” and “old” identities, the cultural dialogue between “Chinese” and “Western” influences are internal conflicts that impacted Zeng Pu's rewriting of Fu Caiyun, rendering her character with a polyphonic nature of multiple voices. The text is filled with dialogues between Zeng Pu's “self”' and the “other” Fu Caiyun. Essentially, this represents a double-voiced polyphony of Zeng Pu's conscious and unconscious minds, embodying the “struggle between two minds” within his internal subjective world. Keywords: Dissolute Beauty, Struggle between Two Minds, Polyphony, Fu Caiyun, Zeng Pu
Copyright (c) 2024 Li Zhiqin, Chin Mooi San http://creativecommons.org/licenses/by-nc-sa/4.0
论《三国演义》中诸葛亮的政治伦理观
诸葛亮是一位妇孺皆知的历史伟人，他在诸多方面都有着卓越的才能，尤其在政治、军事和外交方面有着重大贡献。诸葛亮的形象在晋朝之后逐渐被神化，尤其在经过小说《三国演义》的渲染之后，诸葛亮更是成为了算无遗策、呼风唤雨的神人，这显然已经与史家笔下的诸葛亮形象相去甚远。所谓政治伦理观指的是政治中的伦理道德观念。诸葛亮虽身处三国乱世之中，却始终都能够持心中正、坚守道义，这也是千百年来诸葛亮得到上至君王下至百姓一致推崇的原因。《三国演义》中的诸葛亮不仅智谋无双，还品格高洁，俨然是一个完美无缺的儒家圣贤。本篇论文就是通过《三国演义》对诸葛亮政治、军事、遗命等方面的描写来分析论证诸葛亮的政治伦理观，试图在前人的研究基础上略作补充。 Zhuge Liang is a well-known great man in history, he has outstanding talent in many aspects, especially in the political, military and diplomatic aspects made great contributions. The image of Zhuge Liang was gradually deified after the Jin Dynasty, especially after the rendering of the novel Romance of The Three Kingdoms, Zhuge Liang became a man of God who had a perfect plan and could command the wind and rain, which was obviously far from the image of Zhuge Liang under the pen of historians. Political ethics refers to the concept of ethics in politics. Although Zhuge Liang was in the chaos of The Three Kingdoms, he was always able to hold his heart right and adhere to moral principles, which is also the reason why Zhuge Liang has been respected from Kings down to people for thousands of years. Zhuge Liang in the Romance of The Three Kingdoms is not only resourceful, but also noble and virtuous, which seems to be a perfect Confucian sage. This thesis is to analysis and demonstrate Zhuge Liang's political ethics through the description of his politics, military affairs, mandate and other aspects in the Romance of The Three Kingdoms, trying to supplement the previous studies. Keywords: Romance of The Three Kingdoms, Zhuge Liang, political ethics
Copyright (c) 2024 Ren Jie http://creativecommons.org/licenses/by-nc-sa/4.0
唐代的体育文化与体育诗创作探究
唐代体育文化以其绚丽多姿的艺术展现其深厚丰富的审美内涵，不仅为唐代诗歌赋予了更为独特的艺术风貌，更极大地拓展了诗歌创作的题材领域。综合运用体育学、文学、历史学等多学科的理论与研究方法，对唐代体育题材诗进行分析和研究，力求全面揭示唐代国力鼎盛、文化繁荣的社会背景下，体育生活的多姿多彩与丰富内涵。唐代形式多样的体育运动，不仅有助于民众强身健体，其所蕴含的多元审美体验更是极大地丰富了诗歌的题材内容，推动了诗歌艺术的创新与发展。唐代体育诗以凝炼的文字展现了唐代精湛的表演艺术与体育文化的融合，堪称记录唐代各类体育运动的重要脚本，为后世提供了再现唐代体育技艺高超水平的宝贵资料。 Tang Dynasty sports culture, with its diverse artistic forms and profound and rich aesthetic connotations, gave Tang Dynasty poems a unique artistic style and greatly expanded the subject areas of poetic creation. By comprehensively applying the theories and research methods of sports, literature, history, and other disciplines, we analyze and study Tang Dynasty poems with sports themes, aiming to comprehensively reveal the colorful and rich connotations of sports life in the context of Tang Dynasty's social background of national strength and cultural prosperity. The various forms of sports helped people to be physically fit and greatly enriched the subject matter of poems with the diverse aesthetic experiences they contained. It also promoted the innovation and development of poetic art. The sports poems show the fusion of the Tang Dynasty's superb performing arts and sports culture with condensed words, which can be called an essential script for recording all kinds of sports in the Tang Dynasty, and provide valuable information for future generations to reproduce the high level of Tang Dynasty's sports skills. Keywords: Sports Poetry, Tang Dynasty sports, sports culture, interdisciplinary research
Copyright (c) 2024 Shen Qi, Fan Pik Wah http://creativecommons.org/licenses/by-nc-sa/4.0
中国传统思想的教育学研究方法之探讨： 以老庄哲学研究为讨论核心
本研究以“老庄教育哲学”为研究主题的论文为讨论核心，试图分析中国传统思想的教育学研究方法，并试着厘清中国传统思想的教育研究之“教育史研究”及“教育哲学研究”的界线为何。研究发现，目前与教育研究主题相关的老庄研究成果，大致有两种类型，其一，为以教育学相关概念为主要脉络及分析视框来进行老庄思想研究，优点在于能凸显教育的价值与特色，但缺点是这样的研究不一定能呈现传统思想的完整性。其二，为以老庄思想为核心，再诠释其教育蕴义的教育哲学研究，优点为能突现思想的完整性，避免诠释上的断章取义，但缺点是许多论文变成以传统思想的义理诠释为主，教育衍释的部分较少且不够有系统性。 整体而言，中国传统思想的教育研究，大多依循中国哲学研究的三阶段来进行，研究方法的运用与说明普遍较少。若该研究本身为“思想本身的诠释”研究，则属“教育哲学”研究，若偏重传统思想在不同时代的思想交涉，或是某思想与当时政治社会脉络的意义探究，则属“教育史”研究范围，因此，现行老庄哲学的教育研究，应可归纳为“教育哲学”研究。 This study takes “Lao Zhuang’s Philosophy of Education” as the core of discussion, and tries to analyze the pedagogical research methodology of traditional Chinese thought, as well as to clarify the boundaries between the “study of history of education” and the “study of philosophy of education” in the study of traditional Chinese thought in education. It is found that there are two types of Lao-Zhuang's research results related to the theme of education research. First, the research on Lao-Zhuang’s thought is conducted with the concepts related to pedagogy as the main vein and analytical framework, which has the advantage of highlighting the value and characteristics of education, but the disadvantage is that this kind of research does not necessarily present the completeness of the traditional thought. The second is to take Lao-Zhuang’s thought as the core and then interpret its educational implications in the study of philosophy of education. The advantage is that it can highlight the completeness of the thought and avoid the interpretation of the meaning out of context, but the disadvantage is that many papers become mainly based on the interpretation of the meaning of the traditional thought, and the part of the educational derivation is relatively small and not systematic enough. On the whole, most of the educational research on traditional Chinese thought follows the three stages of Chinese philosophical research, and the application and explanation of research methodology is generally rare. If the study itself is a study of “the interpretation of thought itself”, then it belongs to the study of “philosophy of education”. If the study emphasizes on the ideological interactions of traditional thought in different times, or the exploration of the meaning of a certain thought in relation to the political and social context of the time, then it belongs to the study of “history of education”, so the study of the education of the current philosophy of Lao and Zhuang can be categorized as a study of “philosophy of education”. Keywords: Methodology, Lao-Zhuang's Philosophy of Education, Pedagogy, Daoism
Copyright (c) 2024 Huang Chien-Lun http://creativecommons.org/licenses/by-nc-sa/4.0
《考工记》是大陆知名作家王安忆在2018年出版的长篇小说，它营造了一个叫做陈书玉的上海男人及其祖宅的生命史。在这里，中国古典建筑与现代中国人之间相互影响的关系是值得注意的。本文将以“人生的建筑”概括这种关系，指向人与建筑间的息息相通。本文的中心议题是：作为现代人的陈书玉在其生命各个阶段和古典建筑之间的关系具体是怎样的？中国传统的实用理性精神如何影响人与人生建筑的变化？面对死亡之际，实用理性精神的“能”与“不能”又在哪里。在研究方法上，本文选择以存在主义和人文主义地理学辅助论述“人生的建筑”，这两种理论皆强调现代人的情感、感知，而情感、感知，又是现代人的核心深度。 Kao Gong ji is a full-length novel published in 2018 by renowned mainland China author Wang Anyi, which creates a life history of a Shanghai man called Chen Shuyu and his ancestral home. The interplay between classical Chinese architecture and modern Chinese people is noteworthy. This paper will summarize this relationship with the ‘architecture of life’ concept, pointing to the close connection between people and architecture. The central theme of this paper is: what is the relationship between the modorn man Chen Shuyu and classical architecture at various stages of his life? How does the Chinese traditional pragmatic rationality influence the changes ‘architecture of life’ and man’s life? In the face of death, what’s the possibility and impossibility of the pragmatic rationality. In terms of research methodology, this paper chooses existentialism and humanist geography, both of which emphasize the emotions and perceptions of modern people. Keywords: Kao Gong Ji , Humanist Geography, Space, Architecture of Life, Wang Anyi, pragmatic rationality
Copyright (c) 2024 Ke Xinru http://creativecommons.org/licenses/by-nc-sa/4.0
鲁迅《古小说钩沉》之辑佚方法与其得失 ——以《冥祥记》之辑佚为中心
鲁迅《古小说钩沉》系古小说辑佚之大成。在《冥祥记》的辑佚上，鲁迅对比群书，对故事中不合情理的地方进行纠正。对于注出《冥祥记》的材料，鲁迅审慎地进行甄别，删除他认为的伪作，以达到去伪存真的目的。此外，他不仅着眼于注出《冥祥记》的材料，也辑入注出他书的《冥祥记》材料。最后，鲁迅连缀散落在各书中的古小说文本，形成更为详尽完整的故事，体现了鲁迅求全责备的辑佚倾向。由此可见，鲁迅的辑佚并不满足于简单的排比罗列，而是基于各种学术判断，对文本进行了殚精竭虑的校订、辑录乃至重组。鲁迅的作法大部分都有可以逆推的坚实依据，但也不无可议之处：一、不加说明地删汰一系列本注出《冥祥记》的文本，然而，有的文本不能完全排除其出于《冥祥记》的可能；二、在连缀撮合间，制造了“鲁迅版本”的古小说文本，与古小说的旧观或存有差距。此类后人在文献整理中干预前代文学文本，以至于可能误导了现今学界研究的现象，值得关注与警惕。 Lu Xun’s（鲁迅） “Gu Xiao Shuo Gou Chen”（《古小说钩沉》） is a masterpiece in the compilation of Chinese ancient novels. In the compilation of “Ming Xiang Ji”（《冥祥记》）, Lu Xun carefully corrects illogical elements in the stories by comparing various books. He meticulously sifts through materials related to “Ming Xiang Ji”, discerning and removing what he deems as spurious works to achieve the goal of separating truth from falsehood. Additionally, he not only focuses on the materials related to “Ming Xiang Ji” but also incorporates materials from other books into the compilation of “Ming Xiang Ji”. Ultimately, Lu Xun connects scattered ancient novel texts from various books to create a more detailed and complete narrative. It is evident that Lu Xun's compilation goes beyond simple juxtaposition and listing; instead, it is based on various academic judgments, involving careful revision, compilation, and even restructuring of the text. While most of Lu Xun’s methods have solid justifications, there are points of contention. Firstly, deleting some novel stories that labelled as “Ming Xiang Ji” without providing explanations. In fact, these stories cannot be completely ruled out as possibly originating from “Ming Xiang Ji”. Secondly, in the process of connecting and merging, the creation of a “Lu Xun version” of the ancient novel text may deviate from the original ancient novels. Such interventions by later scholars in the compilation of literary texts may potentially mislead current scholarly research, warranting attention and caution. Keywords: Gu Xiao Shuo Gou Chen, Ming Xiang Ji, Lu Xun, Compilation of Chinese ancient novels
Copyright (c) 2024 Hiu Kai Wen http://creativecommons.org/licenses/by-nc-sa/4.0
父权法则的复刻 论严歌苓小说中的性别权力关系
许多学者认为，严歌苓在其小说中创造的“地母”女性通过拯救男性的方式颠覆了传统的两性关系，消解了以男性为中心的父权文化。然而，当从女性主义的角度出发深入考察严式小说中的人物关系时，却可以发现，即便救赎了众多男性，但“地母”女性仍是受男性权力统治的被奴役群体。从以“地母”女性为中心延展开去，还可以发现，除去两性间的支配-从属关系，即使连同性之间，也呈现出典型的父权制度下的权力关系。本文将从男-女、女-女、男-男三个方面，对严歌苓作品中人物间的性别权力关系进行探讨，以论证其中所体现的父权文化式的权力关系法则的复刻。 Many scholars believe that in her novels, Yan Geling’s creation of the “Earth Mother” female characters subverts traditional gender relations by rescuing males, thereby undermining the male-centered patriarchal culture. However, when examining the character relationships in Yan's novels from a feminist perspective, it can be observed that despite redeeming numerous males, the “Earth Mother” females remain a subjugated group under male power. Expanding from the perspective of the “Earth Mother” females, it can be further noted that, apart from the domination-subordination relationship between the sexes, even among the same sex, typical power relations of patriarchal systems are evident. This paper will explore the gender power relations among characters in Yan Geling’s works from three aspects: male-female, female-female, and male-male, to demonstrate the replication of patriarchal cultural power relations. Keywords: Yan Geling, Gender and Power Relations, Feminism, Patriarchal System
Copyright (c) 2024 Liu Xingyu, Lim Choon Bee http://creativecommons.org/licenses/by-nc-sa/4.0
谢枋得是由宋入元的典型遗民文人，在元朝统治之下生活了十年之久，最后走上了殉节之路。本文通过分析谢枋得宋末元初时段的言行，探究其欲为大宋遗民、又想以大元逸民处世的心态，探讨谢枋得是如何在元朝欲重用之时反而走上了殉节之路，为何选择漫长又残忍的绝食方式，死节是否为必然等问题，进一步丰富宋元遗民文人及其作品的研究。 Xie Bingde was one of the representatives from the Song Dynasty to the yuan dynasty. He lived under the rule of the Yuan Dynasty for ten years. Through the study of Xie Binge's works and behaviors in the late Song Dynasty and the early Yuan Dynasty, this paper analyzes his desire to be the adherents of the great Song Dynasty and the mentality of the great Yuan Dynasty. Xie Bingde's attitude towards the two governments of the song and yuan dynasties, the maintenance of the ethical principles of loyalty, filial piety and righteousness, and the mentality of the literati under the background of the great change of China in the 13th century, discussed how Xie Bingde wanted to reuse him in the Yuan Dynasty and embarked on the road of martyrdom. Keywords: Xie Bingde, adherents pf Song Dynasty, Survival, Integrity
Copyright (c) 2024 Liu Xue Fei , Foo Ai Peng http://creativecommons.org/licenses/by-nc-sa/4.0
跨域与流动：从《新国民日报》论新马文坛 对五四新文学理论的反响（1919-1925）
马华文学的萌芽一直以来都与“五四”文坛有着极为密切的关系。自五四运动在中国开始展开，马华社会也积极响应。马华文坛通过剪贴、转载中国五四的文字，宣传新思想、新学说，鞭挞旧思想，启迪民智，改良社会，将中国五四的思想传播到马华社会中。在这过程中，报章起到至关重要的作用，其中《新国民日报》致力于推动新文学，促进了新文艺在马华社会的诞生，被誉为马华新文学萌芽时期的中心。《新国民日报》中的许多文字除了剪贴与转载五四作家作品外，同时也有出现了本地文人投稿的文艺作品及评论。因此，本文试图通过《新国民日报》中的文学理论篇章，梳理出《新国民日报》中对五四思潮与文学理论的引介与推广，探析新马文坛对五四文学理论的反响. The budding of Malaysia Chinese literature has always had an extremely close relationship with the literary scene of the May Fourth Movement. Since the May Fourth Movement began in China, Malaysia Chinese society has also responded actively. The Malaysia Chinese literary scene disseminated new ideas and theories, criticized old ideologies, enlightened the masses, and sought social reform by clipping and reprinting texts from China’s May Fourth Movement. Through this process, newspapers played a crucial role, with the Xin Guomin Ribao dedicated to promoting new literature and facilitating the birth of new arts and theory of literature in Malaysia Chinese Literary Scene. In addition other than to clipping and reprinting works by May Fourth writers, many articles in the Xin Guomin Ribao also featured literary works and critiques contributed by Malaysia Chinese writers. Therefore, this paper seeks to analyze the introduction and promotion of May Fourth ideology and literary theory in the Xin Guomin Ribao, and explore the response of the literary scenes in Malaysia Chinese to May Fourth literary theory. Keywords: Malaysia Chinese Literary Scene, Xin Guomin Ribao, Literary Theory, May Fourth literary
Copyright (c) 2024 Chia Tze Yi, Khor Teik Huat http://creativecommons.org/licenses/by-nc-sa/4.0
碑铭与外语档案研究 庄钦永博士专访
近年来，利用碑刻资料如神主牌、碑记及墓碑文字已成为星马学术界普遍的治学方法，外语档案则依然较少为学者使用。阅读外语档案考验一名学者坐冷板凳的毅力，并非简单的差事。尽管庄钦永使用外语档案开拓星马华人史研究的新路径，写下不少具有新见的学术成绩，然这份耗尽时间、心力与经费的工作，似乎难以吸引年轻学人追随。专访缘起于笔者在撰写博士论文期间，向庄钦永先生请教伦敦布道会与美部会传教士档案。相较于星马两地学者在情感上对传教士及其研究排斥，在方法上依旧围绕在已被使用殆尽的中文史料撰写华人史议题；庄钦永利用外语档案开拓新加坡华人史、教育史、甲必丹等研究的新路径，让人耳目一新。《新加坡华人史论丛》等著作是庄钦永早期利用碑记资料与外语档案等材料考证的成果；后期则专注于传教士研究，跨足在基督教史、汉语新词和翻译史。采访详述庄钦永在澳洲国立大学利用科技作为历史研究工具、在新甲剔藓寻碑的艰辛历程及多次到国外查阅档案的经验，其所展现丰硕的成果，冀可鼓舞年轻学人善用原始档案在各自领域有所拓展。 In recent years, inscribed materials have become commonly used in the academic fields of Singapore and Malaysia, while foreign language archives remain less utilized by scholars. Even though Dr. Chng has pioneered new paths in the study of the Chinese history of Singapore and Malaysia by using foreign archives and has produced many groundbreaking academic achievements, this approach struggles to attract younger scholars due to the time and financial investment required. My interview with Dr. Chng stemmed from my doctoral research, seeking his expertise on the London Missionary Society and American Board of Commissioners for Foreign Missions archives. Unlike scholars who predominantly rely on exhausted Chinese historical materials, Dr. Chng's use of foreign archives has opened new paths in the Chinese history of Singapore, educational history, and Kapitan studies. His works as “Collected Essays on Chinese in Nineteenth Century Singapore” reflect his early successes in archival research. Later, he delved into missionary studies, Christianity history, new Chinese words, and translation history. The interview highlights Dr. Chng's academic journey, starting from his use of technology for historical research at the Australian National University, to the arduous process of searching for inscriptions in cemeteries and repeated visits to foreign countries for archival research. These fruitful experiences are intended to inspire young scholars to effectively utilize primary sources to expand their respective fields. Keywords: Inscriptions, foreign language archives, Chinese history of Singapore and Malacca, missionary studies, history of translation
实践跨界主体：试论庄华兴的马华文学论述与翻译
本文初步梳理近20年来庄华兴在马华文学与文化课题上的学术论述和翻译实践，探讨其思想来源和研究取径，及其之于马华文学研究的意义。“主体性”这个关键词持续出现在庄华兴的研究著述中，惟主体并非不言自明，也不单纯以本质主义的型态构成。本文认为，庄华兴以“跨界主体”为核心，寻求为“马华问题”解套的方法，同时也彰显第三世界知识分子在民族、语言和文化身分归属难题上的深切关怀。本文集中讨论庄华兴论述与实践的两个面向：“左翼马华”和“翻译马华”。庄华兴将左翼视为被压抑的社会运动和文学思想，追溯具有跨国意识的左翼精神。另一方面，他以跨语主义为方法，实际从事翻译工作并寻思翻译的政治功能，以突破马来西亚国家文化建制的藩篱。两者可说是庄华兴对“马华问题”的响应方式，也展现其期许建立理想的“马华民族”跨界主体的途径。 This paper combs through Chong Fah Hing’s academic scholarship and translation practices of Malaysian Chinese (Mahua) literature and culture over the past 20 years. It explores the sources of his thoughts, research approaches and the significance of his work to the study of Mahua literature. The keyword “subjectivity” (zhuti xing) continuously appears in Chong’s writings, though the “subject” is not self-evident. This paper posits that Chong Fah Hing centers on the concept of the “transcultural subjectivity” to seek solutions to the “Mahua problems”. His thought and practice also demonstrate the deep concern of Third World intellectuals regarding the problems of national, linguistic, and cultural identity. The paper focuses on two aspects of Chong’s scholarship and practice: left-wing thoughts and translation. On one hand, Chong views the left-wing as a repressed social movement and literary thought in Malaysia, tracing the transnational consciousness of the left-wing spirit. On the other hand, in his translation work, he practices translingual approaches and considers the political functions of translation, aiming to break through the barriers created by the Malaysian state cultural establishments. Both can be seen as Chong’s responses to the Mahua problems, and they also demonstrate his aspiration to establish an ideal transcultural “Mahua minzu” subjectivity. Keywords: Chong Fah Hing, Malaysian Chinese (Mahua) literature, minzu, left-wing, translation, Chinese-Malay translation
Copyright (c) 2024 Ying Xin Show, Siew Poh Goh http://creativecommons.org/licenses/by-nc-sa/4.0
在归属与抗议之间的“抵抗之仪” ——读白瑨的《归属之仪: 马来西亚槟城华人社群的记忆、现代性与身分认同》
有别于历史人类学的视角，以及笔者专业的限制，本文尝试以当代儒家研究者所关切的课题来参阅本书，或可提供另一种阅读角度，意即：儒家的礼仪和谐观如何与歧见共存，甚至在必要时，“抗议之礼仪”（rituals of protest）是如何可能的。《归属之仪》为我们展示了代代马来西亚华人归属斯土之恳望，但是，华人于斯土仍旧是“归属”不得且“抗议”无力时，“抵抗”才更符合进退不得的生活现实，也因此，本文将此题名为“抵抗之仪”来展开。本文拟从两方面来阅读：1. 礼仪实践的必要及其目的、2. “抵抗之仪”的局限；前者梳理该书关涉到礼仪实践的脉络，后者则是在前者的基础上进行审思。 Unlike the perspective of historical anthropology and the constraints of one's own profession, this review attempts to refer to this book in terms of a subject of concern to contemporary Confucian researchers, which may provide an alternative reading, namely: how can a harmonious view of rituals coexist with disagreement in a Confucian perspective? And even, if necessary, how "rituals of protest" are possible. Rites of Belonging shows us the aspirations of the Malaysian Chinese to belong to the land, but the situation of the Malaysian Chinese is still one in which neither belonging nor protesting is possible, but resistance is more in line with the realities of life, which is why this review is titled "rituals of resistance". The review is intended to be read from two perspectives: 1) the necessity and purpose of rites, and 2) the limitations of the "rituals of resistance"; the former organizes this book about the practice of rituals, while the latter is a reflection on it. Keywords: Ritual practice, Rituals of protest, Accommodation of disagreement
Copyright (c) 2024 Loi Chen Hwee http://creativecommons.org/licenses/by-nc-sa/4.0
晁补之为北宋期间承先启后的词人，他身处词学变革期中的重要阶段，在北宋儒学复兴的背景和诗文革新运动的波及下，其词作与词论无疑都受到了儒家诗教观的影响，表现出明显的诗化倾向，并在承继苏轼词学观念的同时，有了进一步突破，且展现出有别于苏门四学士中其他成员的新观点。儒家诗教观发展到宋代，又形成了新的面貌，对晁补之词论的影响主要体现在：写作上融会诗法的同时保留词体本身风格特征，追求词可“托兴于此”的言志功能，和推崇“风调闲雅”的风格三个方面。晁补之较早地提出了对词的批评原则，一方面对苏轼的观念发扬承继，另一方面为后来的词学理论发展提供了启示和借鉴，起到了承上启下的作用。 Chao Buzhi was a prominent Ci poet during the Northern Song Dynasty, representing a key transitional figure in the evolution of Ci. Positioned at a critical stage of literary transformation against the backdrop of the Confucian revival and the broader movement for poetic and literary reform in the Northern Song period, his Ci compositions and theoretical contributions were deeply influenced by Confucian poetic doctrines. His works exhibited a pronounced poetic tendency, and while drawing upon the Ci concepts of Su Shi, Chao made significant advancements, offering new perspectives distinct from those of the other members of the “Four Disciples of Su Shi.” As Confucian poetic teachings evolved into the Song era, they took on new dimensions, which notably shaped Cha’s approach to Ci. This influence manifested in three main areas: the integration of poetic techniques while maintaining the unique stylistic features of Ci, the pursuit of Ci's capability to 'indirectly convey emotions,' and the promotion of an ‘elegant and leisurely’ style. Chao Buzhi also pioneered critical principles for analyzing Ci, which not only built upon and propagated Su Shi's ideas but also inspired and informed future developments in Ci theory, thereby playing a crucial role in bridging past and future generations. Keywords: Chao Buzhi, Ci Theory, Confucian Poetic Doctrine, Using Poetry as Ci
Copyright (c) 2025 Liu Meng (柳萌）, Ser Wue Hiong（徐威雄） http://creativecommons.org/licenses/by-nc-sa/4.0
Jesse Q. Sutanto 的 Dial A for Aunties 散居族裔文化传承研究
《Dial A for Aunties》是一本英文喜剧小说，讲述了在美国生活的印尼华裔，小说充满了印尼华裔文化的特色。此研究探讨五个主角色的散居族裔身份对传承华文文化的影响，尤其对家庭价值观和跨文化的语言交流方面；根据Clifford（1994） 提出的的文化传承理论主要强调了文化的动态性和变异性。该理论挑战了传统上静态和本质化的文化观点，认为文化并不是一成不变的，而是通过时间、空间和不同社会群体的交互作用而不断变化和再创造的。；而根据Cavalli-Sforza（1982） 探讨了文化如何在不同世代之间传递和演变，并运用了数量分析的方法来研究这些过程。理论分析其文化传承。研究结果得出的结论是虽然她们在美国生活了一段时间了，但她们还是离不开原籍国的身份，此外，他们的身份对他们养育下一代的影响非常大。 Dial A for Auntiesis an English comedy novel which narrates a story about Chinese Indonesians characters living in America. This novel is rich with characteristics of Chinese Indonesian’s culture. This research discussed about how the five main characters’ identity influence the pattern of cultural heritage, especially onfamily values aspect and intercultural language communication aspect, also discussed the diaspora form in the five main characters according to Clifford’s theory, and methods of inheriting culture according to Cavalli-Sforza’s theory. The result is, even though they lived in America for quite some time, they can’t be separated with their identities and that their identities played a big role in their what they educate their descendants. Keywords: Diaspora, Cultural heritage, Diaspora characteristics, Interculturallanguage communication, Family values, Dial A for Aunties
Copyright (c) 2024 Olivia, Jessica Eliana Limantara http://creativecommons.org/licenses/by-nc-sa/4.0
方娥真的创作成果丰富，迄今共有诗集二部，散文八部以及小说八部，总计十八部。而她的文学创作生涯可分为两个阶段，第一个是一九八O年之前她在台湾以及马来西亚等地的文学创作发表，后结集出版成书。第二阶段是一九八O年九月以后，方娥真与温瑞安等人因故被台湾国民党政府驱逐出境，流落香港。此后，她在香港重新创作并出版文集。本文尝试从其创作历程中探勘她两个创作阶段的不同特色。藉由方娥真的诗与散文分析可知，她早期喜欢对镜书写与幻想，但第二阶段的创作心理已大有转变，体认到现实人生里的“真”。而从小说来看，第一阶段《画天涯》允为成长小说的佳作，而第二阶段的〈火葬〉与〈窗外少年〉，对于人性与情欲书写，有更进一步的拓展。方娥真写作历程最关键的转变是到了香港，她在香港时期的书写，大多投射了在台湾蒙冤入狱的阴影。本文认为她第二阶段虽然也写通俗小说，但对于纯文学仍然有所坚持，她的整体成就仍是值得肯定。 Fang e-zhen has an abundant creative output. So far, she has two collections of poems, eight collections of prose and eight fictions, totaling eighteen collections. Her literature creation career can be divided into two stages. The first was the publication of her literature creations in Taiwan, Malaysia and other places before 1980, which were later collected and published in a book. The second stage was after September 1980. Fang e-zhen, Wen rui-an and others were deported by the Kuomintang government of Taiwan for some reasons and lived in Hong Kong. Thereafter, she re-created and published anthologies in Hong Kong. This article attempts to explore the different characteristics of her two creative stages from her creative process. From the analysis of Fang e-zhen’s poetry and prose, her early days, she liked writing in front of the mirror and fantasizing, but in the second stage, her creative psychology has changed greatly, and she has realized the "truth" in real life. From the perspective of fictions, "Painting the End of the World" in the first stage can be regarded as a masterpiece of coming-of-age fictions, while "Cremation" and "The Boy Outside the Window" in the second stage have further expanded the writing on human nature and passion. The most critical change in Fang e-zhen’s writing process was her arrival in Hong Kong. Most of her writings during her time in Hong Kong cast the shadow of being wrongly imprisoned in Taiwan. This article believes that although she also wrote popular fictions in her second stage, she still insisted on pure literature, and her overall achievements are still worthy of recognition. Keywords: Fang e-zhen, Literature, Fiction, Prose, Poetry
Copyright (c) 2024 Toh Soon Ngu http://creativecommons.org/licenses/by-nc-sa/4.0