ERUDITE: Journal of Chinese Studies and Education

鲁迅《古小说钩沉》之辑佚方法与其得失 ——以《冥祥记》之辑佚为中心

Kai Wen Hiu — 2024-10-03

鲁迅《古小说钩沉》系古小说辑佚之大成。在《冥祥记》的辑佚上，鲁迅对比群书，对故事中不合情理的地方进行纠正。对于注出《冥祥记》的材料，鲁迅审慎地进行甄别，删除他认为的伪作，以达到去伪存真的目的。此外，他不仅着眼于注出《冥祥记》的材料，也辑入注出他书的《冥祥记》材料。最后，鲁迅连缀散落在各书中的古小说文本，形成更为详尽完整的故事，体现了鲁迅求全责备的辑佚倾向。由此可见，鲁迅的辑佚并不满足于简单的排比罗列，而是基于各种学术判断，对文本进行了殚精竭虑的校订、辑录乃至重组。鲁迅的作法大部分都有可以逆推的坚实依据，但也不无可议之处：一、不加说明地删汰一系列本注出《冥祥记》的文本，然而，有的文本不能完全排除其出于《冥祥记》的可能；二、在连缀撮合间，制造了“鲁迅版本”的古小说文本，与古小说的旧观或存有差距。此类后人在文献整理中干预前代文学文本，以至于可能误导了现今学界研究的现象，值得关注与警惕。

Lu Xun’s（鲁迅） “Gu Xiao Shuo Gou Chen”（《古小说钩沉》） is a masterpiece in the compilation of Chinese ancient novels. In the compilation of “Ming Xiang Ji”（《冥祥记》）, Lu Xun carefully corrects illogical elements in the stories by comparing various books. He meticulously sifts through materials related to “Ming Xiang Ji”, discerning and removing what he deems as spurious works to achieve the goal of separating truth from falsehood. Additionally, he not only focuses on the materials related to “Ming Xiang Ji” but also incorporates materials from other books into the compilation of “Ming Xiang Ji”. Ultimately, Lu Xun connects scattered ancient novel texts from various books to create a more detailed and complete narrative. It is evident that Lu Xun's compilation goes beyond simple juxtaposition and listing; instead, it is based on various academic judgments, involving careful revision, compilation, and even restructuring of the text. While most of Lu Xun’s methods have solid justifications, there are points of contention. Firstly, deleting some novel stories that labelled as “Ming Xiang Ji” without providing explanations. In fact, these stories cannot be completely ruled out as possibly originating from “Ming Xiang Ji”. Secondly, in the process of connecting and merging, the creation of a “Lu Xun version” of the ancient novel text may deviate from the original ancient novels. Such interventions by later scholars in the compilation of literary texts may potentially mislead current scholarly research, warranting attention and caution.

Keywords: Gu Xiao Shuo Gou Chen, Ming Xiang Ji, Lu Xun, Compilation of Chinese ancient novels

论王安忆《考工记》的“人生建筑”

Ke Xinru — 2024-10-03

《考工记》是大陆知名作家王安忆在2018年出版的长篇小说，它营造了一个叫做陈书玉的上海男人及其祖宅的生命史。在这里，中国古典建筑与现代中国人之间相互影响的关系是值得注意的。本文将以“人生的建筑”概括这种关系，指向人与建筑间的息息相通。本文的中心议题是：作为现代人的陈书玉在其生命各个阶段和古典建筑之间的关系具体是怎样的？中国传统的实用理性精神如何影响人与人生建筑的变化？面对死亡之际，实用理性精神的“能”与“不能”又在哪里。在研究方法上，本文选择以存在主义和人文主义地理学辅助论述“人生的建筑”，这两种理论皆强调现代人的情感、感知，而情感、感知，又是现代人的核心深度。

Kao Gong ji is a full-length novel published in 2018 by renowned mainland China author Wang Anyi, which creates a life history of a Shanghai man called Chen Shuyu and his ancestral home. The interplay between classical Chinese architecture and modern Chinese people is noteworthy. This paper will summarize this relationship with the ‘architecture of life’ concept, pointing to the close connection between people and architecture. The central theme of this paper is: what is the relationship between the modorn man Chen Shuyu and classical architecture at various stages of his life? How does the Chinese traditional pragmatic rationality influence the changes ‘architecture of life’ and man’s life? In the face of death, what’s the possibility and impossibility of the pragmatic rationality. In terms of research methodology, this paper chooses existentialism and humanist geography, both of which emphasize the emotions and perceptions of modern people.

Keywords: Kao Gong Ji , Humanist Geography, Space, Architecture of Life, Wang Anyi, pragmatic rationality

中国传统思想的教育学研究方法之探讨：以老庄哲学研究为讨论核心

Chien-Lun Huang — 2024-10-03

本研究以“老庄教育哲学”为研究主题的论文为讨论核心，试图分析中国传统思想的教育学研究方法，并试着厘清中国传统思想的教育研究之“教育史研究”及“教育哲学研究”的界线为何。研究发现，目前与教育研究主题相关的老庄研究成果，大致有两种类型，其一，为以教育学相关概念为主要脉络及分析视框来进行老庄思想研究，优点在于能凸显教育的价值与特色，但缺点是这样的研究不一定能呈现传统思想的完整性。其二，为以老庄思想为核心，再诠释其教育蕴义的教育哲学研究，优点为能突现思想的完整性，避免诠释上的断章取义，但缺点是许多论文变成以传统思想的义理诠释为主，教育衍释的部分较少且不够有系统性。整体而言，中国传统思想的教育研究，大多依循中国哲学研究的三阶段来进行，研究方法的运用与说明普遍较少。若该研究本身为“思想本身的诠释”研究，则属“教育哲学”研究，若偏重传统思想在不同时代的思想交涉，或是某思想与当时政治社会脉络的意义探究，则属“教育史”研究范围，因此，现行老庄哲学的教育研究，应可归纳为“教育哲学”研究。

This study takes “Lao Zhuang’s Philosophy of Education” as the core of discussion, and tries to analyze the pedagogical research methodology of traditional Chinese thought, as well as to clarify the boundaries between the “study of history of education” and the “study of philosophy of education” in the study of traditional Chinese thought in education. It is found that there are two types of Lao-Zhuang's research results related to the theme of education research. First, the research on Lao-Zhuang’s thought is conducted with the concepts related to pedagogy as the main vein and analytical framework, which has the advantage of highlighting the value and characteristics of education, but the disadvantage is that this kind of research does not necessarily present the completeness of the traditional thought. The second is to take Lao-Zhuang’s thought as the core and then interpret its educational implications in the study of philosophy of education. The advantage is that it can highlight the completeness of the thought and avoid the interpretation of the meaning out of context, but the disadvantage is that many papers become mainly based on the interpretation of the meaning of the traditional thought, and the part of the educational derivation is relatively small and not systematic enough. On the whole, most of the educational research on traditional Chinese thought follows the three stages of Chinese philosophical research, and the application and explanation of research methodology is generally rare. If the study itself is a study of “the interpretation of thought itself”, then it belongs to the study of “philosophy of education”. If the study emphasizes on the ideological interactions of traditional thought in different times, or the exploration of the meaning of a certain thought in relation to the political and social context of the time, then it belongs to the study of “history of education”, so the study of the education of the current philosophy of Lao and Zhuang can be categorized as a study of “philosophy of education”.

Keywords: Methodology, Lao-Zhuang's Philosophy of Education, Pedagogy, Daoism

唐代的体育文化与体育诗创作探究

Shen Qi — 2024-10-03

唐代体育文化以其绚丽多姿的艺术展现其深厚丰富的审美内涵，不仅为唐代诗歌赋予了更为独特的艺术风貌，更极大地拓展了诗歌创作的题材领域。综合运用体育学、文学、历史学等多学科的理论与研究方法，对唐代体育题材诗进行分析和研究，力求全面揭示唐代国力鼎盛、文化繁荣的社会背景下，体育生活的多姿多彩与丰富内涵。唐代形式多样的体育运动，不仅有助于民众强身健体，其所蕴含的多元审美体验更是极大地丰富了诗歌的题材内容，推动了诗歌艺术的创新与发展。唐代体育诗以凝炼的文字展现了唐代精湛的表演艺术与体育文化的融合，堪称记录唐代各类体育运动的重要脚本，为后世提供了再现唐代体育技艺高超水平的宝贵资料。

Tang Dynasty sports culture, with its diverse artistic forms and profound and rich aesthetic connotations, gave Tang Dynasty poems a unique artistic style and greatly expanded the subject areas of poetic creation. By comprehensively applying the theories and research methods of sports, literature, history, and other disciplines, we analyze and study Tang Dynasty poems with sports themes, aiming to comprehensively reveal the colorful and rich connotations of sports life in the context of Tang Dynasty's social background of national strength and cultural prosperity. The various forms of sports helped people to be physically fit and greatly enriched the subject matter of poems with the diverse aesthetic experiences they contained. It also promoted the innovation and development of poetic art. The sports poems show the fusion of the Tang Dynasty's superb performing arts and sports culture with condensed words, which can be called an essential script for recording all kinds of sports in the Tang Dynasty, and provide valuable information for future generations to reproduce the high level of Tang Dynasty's sports skills.

Keywords: Sports Poetry, Tang Dynasty sports, sports culture, interdisciplinary research

论《三国演义》中诸葛亮的政治伦理观

Ren Jie — 2024-10-03

诸葛亮是一位妇孺皆知的历史伟人，他在诸多方面都有着卓越的才能，尤其在政治、军事和外交方面有着重大贡献。诸葛亮的形象在晋朝之后逐渐被神化，尤其在经过小说《三国演义》的渲染之后，诸葛亮更是成为了算无遗策、呼风唤雨的神人，这显然已经与史家笔下的诸葛亮形象相去甚远。所谓政治伦理观指的是政治中的伦理道德观念。诸葛亮虽身处三国乱世之中，却始终都能够持心中正、坚守道义，这也是千百年来诸葛亮得到上至君王下至百姓一致推崇的原因。《三国演义》中的诸葛亮不仅智谋无双，还品格高洁，俨然是一个完美无缺的儒家圣贤。本篇论文就是通过《三国演义》对诸葛亮政治、军事、遗命等方面的描写来分析论证诸葛亮的政治伦理观，试图在前人的研究基础上略作补充。

Zhuge Liang is a well-known great man in history, he has outstanding talent in many aspects, especially in the political, military and diplomatic aspects made great contributions. The image of Zhuge Liang was gradually deified after the Jin Dynasty, especially after the rendering of the novel Romance of The Three Kingdoms, Zhuge Liang became a man of God who had a perfect plan and could command the wind and rain, which was obviously far from the image of Zhuge Liang under the pen of historians. Political ethics refers to the concept of ethics in politics. Although Zhuge Liang was in the chaos of The Three Kingdoms, he was always able to hold his heart right and adhere to moral principles, which is also the reason why Zhuge Liang has been respected from Kings down to people for thousands of years. Zhuge Liang in the Romance of The Three Kingdoms is not only resourceful, but also noble and virtuous, which seems to be a perfect Confucian sage. This thesis is to analysis and demonstrate Zhuge Liang's political ethics through the description of his politics, military affairs, mandate and other aspects in the Romance of The Three Kingdoms, trying to supplement the previous studies.

Keywords: Romance of The Three Kingdoms, Zhuge Liang, political ethics

傅彩云的“放诞美人”色彩与曾朴的“二心争斗” ——基于巴赫金复调理论视域的研究

Li Zhiqin — 2024-10-03

“放诞美人”傅彩云是曾朴在《孽海花》中塑造的最为复杂的一个艺术典型，学界对其评价褒贬不一，争议产生的原因是《孽海花》具有明显的复调性。曾朴并未以作者的绝对权威居高临下地讲述傅彩云的故事。傅彩云在小说中拥有主体性的地位，她可以发出自己的声音并与作者曾朴的声音形成主体性的“双声”对话关系。这使得《孽海花》中的傅彩云成为一个具有复调色彩的“放诞美人”。“放诞美人”的复调性是曾朴与其所处的历史文化语境“二心争斗”的结果。“新”与“旧”的身份杂糅、“中”与“西”的文化对话，这些内源性的冲突影响了曾朴对傅彩云的重写，使得他笔下的傅彩云形象呈现出众声喧哗的复调性。文本中充斥着的曾朴“自我”与“他者”傅彩云的对话，从本质上来看是曾朴的意识与无意识的双声复调，是他内在主体世界中两个侧面的“二心争斗”。

Fu Caiyun, the “Reckless Beauty”, is the most complex artistic character created by Zeng Pu in Sinful Sea Flowers, which has received mixed reviews from academics. The reason for the controversy is the obvious polyphony of Sinful Sea Flowers. Zeng Pu does not narrate Fu Caiyun's story with the absolute authority of the author, Fu Caiyun has a subjective position in the novel, and she expresses her own voice and forms a double-subject dialogue with the author Zeng Pu's voice. Thus Fu Caiyun becomes a “Reckless beauty” with polyphonic characteristics in Sinful Sea Flowers. The polyphony of “Reckless Beauty” is the result of Zeng Pu's “two minds struggle” with the historical and cultural context in which he lives. The blending of “new” and “old” identities, the cultural dialogue between “Chinese” and “Western” influences are internal conflicts that impacted Zeng Pu's rewriting of Fu Caiyun, rendering her character with a polyphonic nature of multiple voices. The text is filled with dialogues between Zeng Pu's “self”' and the “other” Fu Caiyun. Essentially, this represents a double-voiced polyphony of Zeng Pu's conscious and unconscious minds, embodying the “struggle between two minds” within his internal subjective world.

Keywords: Dissolute Beauty, Struggle between Two Minds, Polyphony, Fu Caiyun, Zeng Pu

“杀戮之病”——张贵兴《野猪渡河》的祛魅与复魅

Shao Qian Fang — 2024-10-03

张贵兴近作《野猪渡河》既蕴含一种从个体到国族乃至种属的祛魅叙事，又包含以怪兽、面具、鸦片三大象征物建构的复魅叙事。而小说于历史叙事之中敷演蔚为大观的杀戮书写，其“杀戮之病”溢出了所述的历史时段，渗透到当下时代。本文以马克斯·韦伯（Max Weber）因论述现代性而产生的“祛魅”概念，以及由此敷演出的“复魅”概念为标杆，讨论《野猪渡河》中的“祛魅”与“复魅”现象。同时也包括在前述两者的平衡下，讨论小说家是如何通过历史叙事中的杀戮书写直陈虚无的时代精神。

Zhang Guixing's recent work “Wild Boars Cross the River” contains not only a disenchantment narrative from individuals to nationalities and even species, but also a re-enchantment narrative constructed from three major symbols: monsters, masks, and opium. The novel performs a spectacular killing writing in the historical narrative, and its “disease of killing” overflows the historical period and penetrates into the current era. This article uses Max Weber's concept of “disenchantment” arising from his discussion of modernity and the resulting concept of “re-enchantment” as a benchmark to discuss the phenomena of “disenchantment” and “re-enchantment” in “The Wild Boars Cross the River”. And discuss how, with the balance between the two mentioned above, the novelist directly expresses the nihilistic spirit of the times through the writing of killings in historical narratives.

Keywords: “Wild Boars Cross the River”, disenchantment, re-enchantment, historical narrative, killing writing

此人端为救时来—— 论沈家本纪行诗中的忧患意识与家国情怀

Lu Na — 2024-10-03

沈家本（1840-1913）是近代中国法律文化的奠基人和诗人。他一生创作了六百多首诗，其中二百多首反映了他在游历迁徙过程中的心路历程。沈家本的诗作不仅具有文学艺术的魅力，更具有思想性，深刻反映了那个时代的历史背景和社会风貌。他以诗歌为媒介，表达了对国家未来的期许和呼吁，激发了民众对社会进步和民生改善的渴望。本文旨在通过评述沈家本各时期的纪行诗，通过诗作中青年时期的“忧国情”、中年时期的“报国志”、老年时期的“思国运”三个维度，展现这位立志修律救国的清末士大夫身上浓厚的忧患意识和家国情怀。

Shen Jiaben, a prominent figure in modern Chinese legal culture and a great poet, dedicated his life to the creation of over six hundred poems, with more than two hundred reflecting his emotional journey during his travels and migrations. Shen Jiaben's poetic works possess not only literary charm but also scholarly significance, providing profound insights into the historical backdrop and social landscape of his time. Through the medium of poetry, he expressed his aspirations for the future of the nation and called upon the people, inspiring a desire for social progress and improved livelihoods. This article aims to explore Shen Jiaben's historical journey through his travelogue poems, highlighting the dimensions of his youthful concerns for the country, his middle-aged devotion to the nation, and his contemplation of the nation's fate in his later years. These poems vividly depict the unwavering commitment, selfless dedication, and resolute determination of this scholar-official of the late Qing dynasty, who held a strong sense of concern and patriotism.

Keywords：Shen jiaben, travelogue poem, ideological awareness

从《大闹天宫》到《哪吒之魔童降世》看中国传统文化的影像传播

Chen Zhen — 2024-09-30

电影属于艺术性国际语言，其是很多文化符号的载体，可以在民族文化传播过程中发挥重要作用。长期以来，很多中国电影并未有机结合艺术性、商业性以及东方韵味等因素。基于此，本文将从中国动画电影入手，首先分析中国传统文化在中国动画电影中的应用历程，以及当下中国传统文化元素在中国动画电影中应用传播存在的挑战和问题，之后从《大闹天宫》和《哪吒之魔童降世》两部动画电影中分析中国传统文化元素的应用，最后提出推动中国传统文化影响传播的策略，希望利用电影介质和动画形式，进一步提升中国传统文化影响传播的关注度和影响范围。

Movies belong to the artistic international language, which is the carrier of many cultural symbols and can play an important role in the dissemination of national culture. For a long time, many Chinese films have not organically combined artistic, commercial, and Eastern charm factors. Based on this, this article will start with Chinese animated films. Firstly, it will analyze the application process of excellent traditional culture in Chinese animated films and the challenges and problems in the application and dissemination of excellent traditional cultural elements in Chinese animated films. Secondly, it will analyze the application of excellent traditional cultural elements in the two animated films "Da Nao Tian Gong" and "Nezha's Demon Child Comes to Earth". Finally, it will propose strategies to promote the influence and dissemination of Chinese excellent traditional culture, I hope to further enhance the attention and scope of the dissemination of excellent traditional Chinese culture through the use of film media and animation forms.

Keywords: image dissemination; Excellent traditional Chinese culture; Animated Movies

国际图画书大奖作品在中国的引介 ——以凯迪克奖和凯特·格林纳威奖为例

Bian Liping — 2024-09-30

儿童图画书在欧美国家已发展了百余年，但真正在中国流行不过二十多年的时间，而且是随着外国图画书在中国的引进，才流传开来。荣获国际图画书大奖的图书，因其可靠的品质一直是中国出版商首选的引入对象。本文以美国凯迪克奖和英国凯特·格林纳威奖获奖作品为例，通过对其引进情况进行分析和对代表作品的文本分析，探讨国际图画书奖获奖作品对中国图画书创作的启发作用。研究表明，获奖图画书的引进对于中国原创图画书的质量提升、推动中国图画书市场国际化与文化交流、促进中国本土图画书奖项的成立方面都有促进作用。

Children's picture books have been developed in Europe and American countries for over a century, but they have only gained popularity in China for a little more than two decades. This popularity has been largely driven by the introduction of foreign picture books to China. Books that have won international picture book awards have consistently been the preferred choice for Chinese publishers due to their reliable quality. This paper takes award-winning works from the American Caldecott Medal and the British Kate Greenaway Medal as examples to explore the inspirational role of the award-winning works of the International Picture Book Awards for the creation of Chinese picture books through the analysis of their introduction and the textual analysis of the representative works. The study shows that the introduction of award-winning picture books has contributed to the quality improvement of Chinese original picture books, the promotion of the internationalization of Chinese picture book market and cultural exchanges, as well as the promotion of the establishment of Chinese local picture book awards.

Keywords: Picture book; Picture book Award; Introduction of picture books; Children's reading

晚明《二拍》涉商篇中仁与命之体现

Wei Yee Low — 2024-09-30

凌濛初所著之《初刻拍案惊奇》与《二刻拍案惊奇》（以下统称为二拍），其中涉商类篇目所占之篇幅多达31篇，即占总篇数三分之一。涉商类篇目，乃指经由前人的研究成果概括《二拍》中但凡涉及商业活动，刻画商人行为和展现商人思想，以及呈现商业文化现象的相关篇章，皆称为“涉商篇”。《二拍》涉商篇内刻画诸多行善与作恶的故事，随着情节的发展揭示“命”可分作天意操纵及人为使然。文中角色的“命”大多受到个体自身的品德操行影响导致后续的结果，有者其身不正自招灾劫，仁者则诸事顺遂、安享福禄。“仁”、“命”的相连关系并非脱离现实的言论。仁、命之道德关系，仁对命所产生的影响，士商文化对仁、命道德观念的影响，以及士商阶层对仁、命的斟酌与取舍乃本论文的研究重点。本论文以《二拍》涉商篇的士商文化与仁、命之社会道德观念进行探讨，从而剖析士商阶层在面临公德与私利，甚至对眼前或未来的盘算之间，对于仁、命所作出的权衡与抉择。此外，小说中呈现的“命”，可划分为天意支配及人为所致的“命”，透过情节的描绘探析不可违抗的“命”，在受到人为影响后的转变亦是本论文主要论析的部分.

Author Ling Mengchu wrote the Slapping Table in Amazement-First Series and Slapping Table in Amazement-Second Series (The following collectively referred to as Er Pai). The “business-related chapters” have as many as 31 business-related chapters. This kind of theme accounted for 1/3 of the total number of articles of the novel. The business-related articles refer to the “business-related chapters” in which the relevant chapters in Er Pai are summarized based on previous research results, which involve commercial activities, describe merchants’ behavior, and reflect merchants’ thoughts, and show commercial cultural phenomena. The business-related chapters of Er Pai depicts a lot of good and evil stories, with the development of the plot reveals that destiny can be divided into the manipulation of God and man-made. The destiny of the characters in the text is mostly affected by the individual’s own moral conduct, which leads to the subsequent results. Some of them are not in the right shape to save themselves from disaster, benevolent people are in the right shape to enjoy happiness and prosperity. The connection between benevolence and destiny is not divorced from reality. The moral relationship between benevolence and destiny, the influence of benevolence on destiny, the influence of scholars-merchants culture on the moral concepts of benevolence and destiny, and the consideration and choice of scholars-merchants class on benevolence and destiny are the focus of this chapter. This chapter discusses the scholars-merchants culture and the social moral concepts of benevolence and destiny in the business-related chapters of Er Pai, to analyze the balance and choice made by the scholars-merchants class on benevolence and destiny in the face of public morality and private interests, and even the calculation of the present or future. In addition, the destiny presented in the novel can be divided into the domination of God and the destiny caused by human. Through the description of the plot, the inviolable destiny is analyzed, and the transformation after being influenced by human is also the main part of this chapter.

Keywords: Er Pai, Chinese Late Ming Novels, Business-Related Chapters, Concepts of Benevolence and Destiny, Scholars-Merchants Culture, Social Morality

中美新闻报道中关于新冠疫情事件的比较研究

He Xiaoxia — 2024-09-30

新冠肺炎疫情自2020年初爆发后，社会上产生了许多虚假的不良信息，公众内心本就焦虑、烦躁的情绪被放大。在这种情况下，发源于欧美新闻业界的建设性新闻成为当下一些媒介或学者的关注焦点，它旨在以启迪人心的新闻报道来唤醒社会公众的行动意愿，进而促进社会的稳定与发展，但是建设性新闻的具体实践在不同的社会环境下会呈现出不同的特征。本文通过《人民日报》与《纽约时报》的建设性报道框架特征的比较分析，目的是探讨不同性质媒体在报道中的框架和叙事方式，而非简单地评判优劣，从而来看《人民日报》报道中的优势以及不足，提出自己的看法和一些改善措施，为中国新闻本土化实践的现实取向提供些许的思考和借鉴。

Since the outbreak of the COVID-19 in early 2020, there have been many false negative information in the society, and the public's anxiety and irritability have been amplified. In this situation, constructive news originating from the European and American news industry has become the focus of attention for some media or scholars. It aims to awaken the public's willingness to take action through inspiring news reports, thereby promoting social stability and development. However, the specific practice of constructive news will present different characteristics in different social environments. This article compares and analyzes the constructive reporting framework characteristics of People's Daily and New York Times, with the aim of exploring the frameworks and narrative methods of different types of media in reporting, rather than simply evaluating the advantages and disadvantages, in order to see the advantages and disadvantages of People's Daily's reporting, propose my own opinions and some improvement measures, and provide some thinking and reference for the practical orientation of China's news localization practice.

Keywords: COVID-19; Constructive news; People's Daily; The New York Times

李渔结构论——从《十二楼》谈起

Sing Ee Ooi — 2024-09-30

清初戏曲家李渔“结构论”为中国戏曲发展史的重要理论，本文从他具有文章结构概念的话本小说《十二楼》谈起，探讨李渔在《闲情偶寄》提出“结构第一”理论前，如何以“楼”的结构之技贯穿结构之道，架起故事人物活动空间与主题寓意。下文以《十二楼》的文本阅读分析为研究方法，辅以李渔《闲情偶寄》的词曲结构理论及他擅长的园林艺术融入讨论，探究小说叙事的显层技巧性结构及其深层的哲理性结构。李渔谓营建房子与读书作文当以标新创异为尚，由此可见他为才子佳人的陈旧题材注入新颖的叙事策略。“楼”作为叙事作品的核心结构新奇有趣，在当下读者“喜读闲书，畏听庄论”的氛围下，可先把读者吸引进故事，再达致规正风俗的劝谏作用。学者讨论李渔作品结构论多从《闲情偶寄》出发，本文从其《十二楼》谈起，窥探李渔作文立言的态度。

Li Yu, a playwright in the early Qing Dynasty, proposed the significant “structural theory” for the development of Chinese drama. This paper begins by discussing the concept of structural organization in his vernacular novel Twelve Towers, exploring how Li Yu, prior to putting forth the “structure comes first” theory, used the construction of “towers” as a narrative framework in the novel, to establish the spatial and thematic significance for the characters and activities within the story. Applying literature analysis of Twelve Towers as the research method, and supplementing it with Li Yu’s structural theory from Random Thoughts and Essays and his expertise in incorporating garden art, the paper delves into the conceptualization and construction process of the “tower” in Li Yu's novels. Li Yu emphasized the novelty of building a narrative like constructing a house, diverging from conventional themes of talent and honour. His narrative strategy not only captivates readers by leveraging the allure of idle literature but also subtly critiques societal norms, aligning with the prevailing taste for light-hearted reading over solemn arguments. While scholarly discussions often centre on Li Yu's later work Random Thoughts and Essays, this paper uniquely starts with Twelve Floors to illuminate Li Yu's evolving compositional philosophy and narrative techniques.

Keywords: Li Yu, Twelve Tower, Random Thoughts and Essays, structural analysis