Relativity of Metaphorical Subject with Symbolic Meanings in the Production of Visual Arts

Authors

  • Wan Nurhasyimah Binti Wan Mohd Apandi Department of Fine Art, Faculty of Art Design, Universiti Teknologi Mara Perak Branch, Perak, MALAYSIA
  • Nurul Shima Binti Taharuddin Department of Fine Art, Faculty of Art Design, Universiti Teknologi Mara Perak Branch, Perak, MALAYSIA
  • Ishak Bin Ramli Department of Fine Art, Faculty of Art Design, Universiti Teknologi Mara Perak Branch, Perak, MALAYSIA

DOI:

https://doi.org/10.37134/kupasseni.vol11.sp.13.2022

Keywords:

Metaphor, Symbolic, Visual Arts

Abstract

The use of metaphors in artwork production is a common tool employed by artists in delivering ideas and current issues throughout contemporary arts. Metaphor as a method to explain and visualize a meaning for an artwork in simple and concise form that is visually easy to decipher, as well as a method for symbolized representation. It is an effective tool in proposing an idea in a creative, narrated manner. The use of metaphor as a tool must always be parallel with the choice of subject and meaning intended in order to produce consistent message, for a more critical analysis to be possible. Every artist employing such method should always be concise in its execution and object implementation.

Downloads

Download data is not yet available.

References

Anurendra Jegadeva., Rahel Joseph., A. Latif Mad Nor., K. Jesmail. (2008). Disclosure Ahmad Zakii Anwar, Kuala Lumpur, Galeri Petronas.

Ahmad Rashidi Hasan. (2006). Seni Lukis & Idea. Shah Alam: Pusat Penerbitan Universiti.

Azman Ibrahim. (1999). Jai Drawing With The Mind's Eye, Kuala Lumpur.

Davidson, D. (1978). What Metaphors Mean. Oxford : Oxford University Press.

Ho Kay Tat., & Godfrey, T. (2016). Fragile by Umibaizurah Recent Works 2015-2016, Kuala Lumpur, The Edge Gallerie.

Hamidah Abdul Hamid. (1995). Pengantar Estetik, Kuala Lumpur : Dewan Bahasa dan pustaka.

Richard, I. A. (1936). The philosophy of Rhetoric, Oxford : Oxford University Press.

Kamus Dewan Bahasa Edisi Ketiga. (2000). Kuala Lumpur : Dewan Bahasa dan Pustaka.

Martin. (2010). Ways of Read Purple Writing Essays about Literature Cengage Learning. Pp. 133-134 : ISBN 1428290419.

Muliyadi Mahamood. (2001). Seni Lukis Moden Malaysia era perintis hingga era pluralis (1930 – 1990). Kuala Lumpur : National Mibrary of Malaysia.

Natee Utarit. (2018). Optimism is Ridiculous, Kuala Lumpur, Richard Koh Fine Art Sdn. Bhd.

Noor Mahnun Mohamed. (2012). TAG Exhibition Umubaizurah Mahir @Ismail, Kuala Lumpur, Wei-Ling Gallery.

Andrzej, P. (2014). “The Death of Metaphore”. University Linguistic.

The Oxford Companion to The English Language, 2nd Edition (e-book). Oxford University Press. 2018. ISBN 978-0-19-107387-8.

Shakespeare, W. (2000). As you like it, New York : Penguin Books.

Downloads

Published

2022-03-01

How to Cite

Wan Mohd Apandi, W. N. B., Taharuddin, N. S. B., & Ramli, I. B. (2022). Relativity of Metaphorical Subject with Symbolic Meanings in the Production of Visual Arts. KUPAS SENI: Jurnal Seni Dan Pendidikan Seni, 10, 130–136. https://doi.org/10.37134/kupasseni.vol11.sp.13.2022