شعر النقائض الاسلامية في عصر النبوة

The prefabrication poetic in the era of the prophecy

Abstract

When studying the poetry of Islamic contradictions in the era of prophecy, it is better for us to briefly familiarize ourselves with the nature of this art, and the nature of its artistic origins, while shedding light on the emergence of this art and its development in the pre-Islamic era, to be aware of the features of the development that befell it in the shadow of Islam. And through his battles with the League of Shirk in the period we are talking about.

     These contradictions are also an extension of the contradictions of ignorance, in terms of their artistic origins, and the predominance of pre-Islamic meanings in the poetry of the two sides, and their limitation to pre-Islamic purposes, the most important of which are: satire, pride, lamentation, and its rotation in wars and days.

     The dispute between the tribes in the pre-Islamic era requires poets to be intolerant of their tribes, so we often find a poet who triumphs over his people, and the poet of the hostile tribe responds to him and contradicts his meanings, and their most reliance is on pride or satire or on both - as we said -.

     Hence, it is clear that poetry has three environments: Makkah, Madinah, and the Badia. In this period, poetry has turned to the cities: Makkah and Madinah, and is almost confined to the desert, so that the poets of the desert themselves tend to one of the two quarreling camps: Muslims and polytheists. The Islamic contradictions of the era of the Messenger (peace and blessings of God be upon him and his family) were a defense of a general belief and human principles on the part of Muslim poets, and some Islamic meanings and expressions leaked into examples of them. It revolves around disbelief, Islam, guidance, misguidance, resurrection, reward, heaven, hell, and others. These meanings and expressions are found in the contradictions of Abdullah bin Rawahah and Ka’b bin Malik, while the meanings remained pure ignorance in the contradictions of poets.  Quraish and most importantly. The research attempts to give a clear picture of Islamic contradictions by referring to distinct examples of their poetry. Thus, Islam took positions on poetry that were compatible with the nature and nature of each stage of the call and its circumstances, and therefore “it is not correct to say that religion has turned a blind eye to poetry and forbade it, just as it is not correct to say that it encouraged poetry without guidance and discipline.”