Allegory Images with Text in Painting Toward The Political Context and Human Consciousness

Imej Alegoris dengan Teks dalam Karya Catan ke Arah Konteks Politik dan Kesedaran Manusia

Authors

  • Muhammad Abul Hasnat Fakulti Seni, Komputeran dan Industri Kreatif, Universiti Pendidikan Sultan Idris, Tanjong Malim, Perak, MALAYSIA
  • Mohd Zahuri Khairani Fakulti Seni, Komputeran Dan Industri Kreatif, Universiti Pendidikan Sultan Idris, Tanjong Malim, Perak, MALAYSIA

DOI:

https://doi.org/10.37134/kupasseni.vol6.6.2018

Keywords:

Allegory, text,, image, human consciousness and politics

Abstract

This paper addresses the visual interpretation of human consciousness through the political culture. This paper analyzes the combined text and allegorical image in the painting is the easiest for viewer's understanding and plays an effective role to increase human consciousness on the political context. This research points out the allegorical symbolic image and text gets complementary advantages, reason and sensibility bring out the best in each other, which improves the effect of the information transmission and can inspire people to take the initiative to accept information of interest. Though from ancient time to contemporary periods, text and image combination have been creatively pursued and explored in many ways by visual artists. The combined process of allegorical symbolic image and text focuses on artistic practices in my artworks different way, such as “Strategic composition format” and “Two in one format” which expands new approach to contemporary art and appropriate to express political issues.

Downloads

Download data is not yet available.

References

Barney & Stephen, A. (1979). Allegories of history, allegories of love. Hamden, Conn: Archon Books

Parks, J. A. (2013). Universal principles of art: 100 key concepts for understanding, analyzing, and practicing art. Rockport Publishers

Papanier, J. P. (2009). Fallen lotus petals. Jordon Papanier, P.41

Pollock, G. (2013). Visual politics of psychoanalysis: art and the image in post-traumatic culture. London and New York: I.B. Tauris

Cross, D. (2002). DCSE drama for OCR. Portsmouth: Heinemann

Flannery, E (2009). Ireland in focus: film, photography and popular culture. Syracuse: Syracuse University Press

Rutledge. H. C. (2008). The guernica bull: studies in the classical tradition in the twentieth century. Georgia: University of Georgia Press.

Wilms, W. & Rasch, W. (2006). Bombs away: representing the air war over Europe and Japan. Amsterdam: Rodopi.

Liu, H. & Yao. W. (2014). Computer, intelligent computing and education technology. Florida: CRC Press.

Wyse, D. (2017). How writing works: from the invention of the alphabet to the rise of social media. Cambridge: Cambridge University Press.

Antona, M. & Stephanidis. C. (2017). Universal access in human–computer interaction. human and technological environments: 11th International Conference, UAHCI 2017, Held as Part of HCI International 2017, Vancouver, BC, Canada, July 9–14, 2017, Proceedings, Part 3. New York: Springer press

Mundik, P. (2015). Religion in cormac McCarthy’s fiction: Apocryphal Borderlands https://www.thriftbooks.com/.../religion-in-cormac-mccarthys-fiction-apocryphal-bor

Downloads

Published

2018-09-03

How to Cite

Hasnat, M. A., & Khairani, M. Z. (2018). Allegory Images with Text in Painting Toward The Political Context and Human Consciousness: Imej Alegoris dengan Teks dalam Karya Catan ke Arah Konteks Politik dan Kesedaran Manusia. KUPAS SENI, 6, 60–64. https://doi.org/10.37134/kupasseni.vol6.6.2018

Most read articles by the same author(s)