Murals as a Tourism Strategy: A Case Study of Teluk Intan, Perak

Authors

  • Ruzamira Abdul Razak Center of Art and Design Studies, College of Creative Arts, Universiti Teknologi MARA, Seri Iskandar, Perak, MALAYSIA
  • Mohd Nafis Saad Center of Art and Design Studies, College of Creative Arts, Universiti Teknologi MARA, Seri Iskandar, Perak, MALAYSIA
  • Siti Humaini Said Ahmad @ Syed Ahmad Center of Art and Design Studies, College of Creative Arts, Universiti Teknologi MARA, Seri Iskandar, Perak, MALAYSIA
  • Rosmidahanim Razali Center of Art and Design Studies, College of Creative Arts, Universiti Teknologi MARA, Seri Iskandar, Perak, MALAYSIA
  • Hilal Mazlan Center of Art and Design Studies, College of Creative Arts, Universiti Teknologi MARA, Seri Iskandar, Perak, MALAYSIA

DOI:

https://doi.org/10.37134/kupasseni.vol11.3.6.2023

Keywords:

Mural, Tourism, Teluk Intan

Abstract

The significance of murals in the realm of tourism cannot be overstated, as they possess remarkable artistic value and offer substantial potential. Murals, visual artworks showcased on walls or building surfaces, frequently capture the essence of a locale's culture, history, or identity. This research has been conducted with the objective of recognizing the potential of mural art in Teluk Intan, Perak, as a prominent icon in the realm of tourism art. Employing a qualitative research methodology, the study incorporates observation, interviews, and documentation as its primary investigative tools. This qualitative approach enables a more comprehensive understanding of the latent potential harbored within mural art, particularly within the mural compositions prevalent in Teluk Intan, Perak. The outcomes of this study underscore the multifaceted advantages of mural art, which extend to fostering economic prosperity, and societal advancement, and enhancing the global standing of the nation. Murals, by their very nature, hold the power to transform urban landscapes into vibrant canvases that narrate stories, celebrate heritage, and captivate the imagination of both tourists and locals alike.

Downloads

Download data is not yet available.

References

Ahmad Razali, R. M. (2023, March 20). Tourists are disappointed, the mural art is fading and abandoned. Ipoh Echo. Retrieved from https://www.ipohecho.com.my/2023/03/20/tourists-are-disappointed-the-mural-art-is-fading-and-abandoned/

Bernama, (2021, November 6). Lorong Seni Seremban tarikan terbaharu pelancong ke Negeri Sembilan Retrieved from https://www.astroawani.com/berita-malaysia/lorong-seni-seremban-tarikan-terbaharu-pelancong-ke-negeri-sembilan-329384

Huan, W., Li, L., Qing, L., Junyu, D., & Huiming, S. (2022). A Global Uniform and Local Continuity Repair Method for Murals Inpainting. Journal of Hunan University（Natural Sciences）49-6. doi: 10.16339/j.cnki.hdxbzkb.2022292

Istanto, Freddy,(2004). Gambar Sebagai Alat Komunikasi Visual. Nirmana Vol. 2, No. 1, Januari 2000: 23- 35

Jaradat, M. A.&Miaomiao, Y. (2022). The Impact of Digital Technology on Contemporary Mural Art. International Journal of Scientific Development and Research (IJSDR). 7-10. Retrieved from https://www.researchgate.net/publication/365604589_The_Impact_of_Digital_Technology_on_Contemporary_Mural_Art

Kusumaningrum, N. K. V., & Pramesti, D. S. (2022). Pembuatan Mural Pada Daya Tarik Wisataair Terjun Grembengan Desa Wisata Bongan, Tabanan-Bali. Jurnal Bina Cipta. 1-2.

Lim, J. (2023, August 7). Reflections of yesterday KL. The Star. Retrieved from https://www.thestar.com.my/metro/metro-news/2023/08/07/reflections-of-yesteryear-kl

Malaysia Aktif. (2022, January 23). Lukisan Mural Tarikan Baharu Aktiviti Pelancongan di Batang Padang. Retrieved from https://malaysiaaktif.my/2022/01/lukisan-mural-tarikan-baharu-aktiviti-pelancongan-di-batang-padang/

Mariati., Andreas., Verensian, V., & Gunawan, A. A. (2021). Seni Mural Berkonsep Warisan Budayaindonesia-Hindia Belanda Sebagai Elemen Estetikahome Office Rumah8jkt. Serina II UNITAR 2021.

Media Baharu. (2023, May 13). Pulau Bangau, Lokasi Tumpuan burung hijrah. Semasa. Retrieved from https://berita.rtm.gov.my/~berita/index.php/semasa/63397-pulau-bangau-lokasi-tumpuan-burung-hijrah

Muhammad,R,A.,(2022). Peniruan Gaya Pop Art dengan Teknik Pengolahan Citra. https://informatika.stei.itb.ac.id/~rinaldi.munir/Citra/2022-2023/Makalah/Makalah-IF4073-Citra-Sem1-2022%20(38).pdf

Saari, F. A., Daeng, J. D. H., Nawi, M. N. A., & Nasirin, A. (2020). Lukisan Mural Sebagai Daya Tarikan Pelancongan Warisan: Kesan Terhadap Komuniti Setempat Di Kota Bharu, Kelantan. Ikatan Ahli Arkeologi Malaysia. 33-Isu Khas

Sabah Media. (2021, August 14). Lukisan Mural Jambatan Tamparuli Bakal Jadi Tarikan Pelancong Luar. Retrieved from https://sabahmedia.com/2021/08/14/lukisan-mural-jambatan-tamparuli-bakal-jadi-tarikan-pelancong-luar/

Sooriyan, K. G.& Rajendran, J. (2023) Role of Mural Painting in the Socio-Economic Development. International Journal of Creative Research Thoughts, 11-3.

Yunus, P. P., (2020). Komunikasi Ekspresif Estetik Karya Seni. Journal of Media and Communication Science. Vol. 3 No. 2. Retrieved from https://doi.org/10.29303/jcommsci.v3i2.77

Zuhdi. H., Indrawati, L., & Wisesa, A. M. (2021). Identifikasi Aspek Positif Mural Dalam Film Dokumenter: Jogja Berhati Mural. Journal of Art, Design, Art Education & Culture Studies, 6-2.

Downloads

Published

2023-10-10

How to Cite

Abdul Razak, R., Saad, M. N., Said Ahmad @ Syed Ahmad, S. H., Razali, R., & Mazlan, H. (2023). Murals as a Tourism Strategy: A Case Study of Teluk Intan, Perak. KUPAS SENI: Jurnal Seni Dan Pendidikan Seni, 11(3), 48–56. https://doi.org/10.37134/kupasseni.vol11.3.6.2023

Issue

Vol. 11 No. 3 (2023): KUPAS SENI: Jurnal Seni dan Pendidikan Seni

Section

Articles

License

Copyright (c) 2023 Ruzamira Abdul Razak, Mohd Nafis Saad, Siti Humaini Said Ahmad @ Syed Ahmad, Rosmidahanim Razali, Hilal Mazlan

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Most read articles by the same author(s)

1 2 > >>