Fenomenologi Penjelmaan Tubuh dan Ekspresi Spiritual dalam Persembahan Zikir Darwis di Madrasah Rasool-Ur-Rahmah
DOI:
https://doi.org/10.37134/Keywords:
Persembahan Darwis, Penjelmaan Tubuh, Fenomenologi, Seni Persembahan Islam, Zikir, TarekatAbstract
Persembahan zikir Darwis, atau tarian Sufi (Whirling Dervishes), merupakan warisan kesenian Islam yang sarat dengan mistisisme, menggabungkan pergerakan tubuh kinetik berputar dan elemen zikrullah bagi mencapai kesatuan rohani dengan Pencipta. Kajian ini bertujuan untuk menganalisis secara mendalam proses penjelmaan tubuh (embodiment) zikir Darwis dalam konteks pengajian persembahan di Madrasah Rasool-Ur-Rahmah, Selangor. Berlandaskan Teori Penjelmaan oleh Betty Block, kajian ini memfokuskan pada tiga dimensi utama: subjek badan (body-subject), pengetahuan badan (body-knowers), dan ekspresi badan (body-expressers). Menerusi reka bentuk kualitatif berpendekatan fenomenologi deskriptif, data dikumpul melalui temu bual mendalam bersama pengamal utama (termasuk guru mursyid), pemerhatian lapangan, dan analisis dokumen. Hasil dapatan merungkai bahawa anatomi penari bukan sekadar medium fizikal yang pasif, tetapi bertindak sebagai wadah transformasi batin yang aktif. Analisis mendedahkan wujudnya integrasi holistik antara elemen material bersimbolik seperti kostum (subjek badan), disiplin asketik ketat yang membina memori otot seperti puasa 1001 hari (pengetahuan badan), serta manifestasi komunikasi emosi bukan lisan merangkumi rasa sedih, takut (khauf), dan kepasrahan mutlak (redha) (ekspresi badan). Kesepaduan ketiga-tiga dimensi ini melahirkan persembahan spiritual yang luhur dan bebas daripada batasan fizikal. Kesimpulannya, persembahan zikir Darwis merupakan satu disiplin seni persembahan Islam yang memartabatkan tubuh manusia sebagai manifestasi tertinggi penyatuan antara jasmani dan ketuhanan, sekaligus berfungsi sebagai wacana terapi kerohanian yang menyembuhkan.
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