A Comparative Study of Trill Ornamentation in Malay Traditional Music and Western Classical Music
DOI:
https://doi.org/10.37134/Keywords:
Trill Techniques, Ornamentation, Malay Traditional Music, Western Classical Music, grenek/gerenek trill, Cultural ComparisonAbstract
This article examines the similarities and differences in trill ornamentation between Malay traditional music and Western classical music, particularly during the Baroque period. Utilising a comprehensive literature review of historical treatises, including works by Johann Sebastian Bach and François Couperin, alongside ethnographic fieldwork involving live performances, the study highlights the cultural significance and technical nuances of trills in both traditions. The findings reveal that Western trills are defined by specific technical guidelines and harmonic functions, while Malay grenek/gerenek trill emphasises improvisation and personal expression. This comparative analysis underscores the role of ornamentation as a vital component of musical storytelling, contributing to a deeper understanding of the universal nature of ornamentation in music and enriching the appreciation of diverse musical practices.
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