Editorial

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DOI:

https://doi.org/10.37134/mjm.vol9.11.2020

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Abstract

The Malaysian Journal of Music, Volume 9, presents ten articles on issues in ethnomusicology, musicology, composition, music education, popular music and music technology. These issues derive from countries including Japan, Korea, The Philippines, Thailand, Indonesia, the United States and Malaysia.

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Author Biography

  • Clare Suet Ching Chan, Sultan Idris Education University, Tanjong Malim, Perak, MALAYSIA

    Clare Suet Ching Chan has a PhD in Music (Ethnomusicology) from the University of Hawai`i at Manoa (2010); Master of Arts (Ethnomusicology)(2002) and Bachelor of Arts (Music)(1998) from Universiti Sains Malaysia, Penang. She holds ABRSM and Trinity College of London graded examination certificates on piano, violin and voice. Clare was the Deputy Dean of Research and Graduate Studies at the Faculty of Music and Performing Arts in Universiti Pendidikan Sultan Idris (UPSI) from 2011-2017. She is now an associate professor and the Chief Editor of the Scopus and Web of Science indexed Malaysian Journal of Music. She is also the Southeast Asian Musical Traditions theme chair of SEADOM and the International Council of Traditional Music (ICTM) national liaison officer. Her research interests include issues of heritage, education, nationalism, tourism, postmodernism and digitalisation in music. She has won several innovative education awards and published on Chinese and indigenous Orang Asli music.

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Published

28-12-2020

Issue

Vol. 9 (2020): Malaysian Journal of Music

Section

Editorial Notes

License

Copyright (c) 2020 Clare Suet Ching Chan

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

Chan, C. S. C. (2020). Editorial. Malaysian Journal of Music, 9, i-vi. https://doi.org/10.37134/mjm.vol9.11.2020